论徐静蕾电影的叙事特色

发布时间：2018-06-01 19:41

本文选题：徐静蕾 + 女性导演　；参考：《河南师范大学》2017年硕士论文

【摘要】：兼具导演与演员双重身份的徐静蕾被冠之“才女”的称谓,涉影至今,徐静蕾拍摄了《我和爸爸》(2003)、《一个陌生女人的来信》(2005)、《梦想照进现实》(2006》、《杜拉拉升职记》(2010)、《亲密敌人》(2011)、《有一个地方只有我们知道》(2015)共计六部作品。徐静蕾的六部作品皆是自导自演,参与电影的编剧制作与后期商业推广。在为数不多的女性导演中,风格自成一派,作品和票房始终吸引大批追随者。从前期的文艺电影到后期的商业电影,徐静蕾的作品呈现出不同叙事形式与影像风格,影片中包含了她自身的生活阅历以及对现实社会的思索感悟。影片中关于叙事母题指向、文本改编的叙事策略、叙事范式以及叙事结构的选择都带有鲜明的个人化风格。本文将以徐静蕾的电影作品为研究对象,以期望在风格迥异的作品中抽丝剥茧,寻求徐氏电影的叙事特点中的共性。本论文以《论徐静蕾电影的叙事特色》为题,第一部分首先通过文献研究法,总结国内外对于徐静蕾作品的研究综述,并在此基础上分析本文研究的意义。然后采用定性分析的方法分层论述电影叙事的艺术内涵,电影最基本的叙事职能是完整的故事设计,而故事的呈现又依托于影片内容与形式。第二部分以时间为序结合徐静蕾的成长环境与个人生活阅历对徐静蕾的作品进行简要梳理。文章主体部分运用描述性研究法对徐静蕾的叙事文本进行类型化分析,以研究徐静蕾电影叙事母题、文本叙事改编、叙事范式以及叙事结构为主要内容。最后一部分从电影的叙事形式着手,对徐静蕾电影中的视听语言进行分析,探究徐静蕾独特的艺术审美倾向。本文将徐静蕾导演置于时代的洪流中深入剖析徐氏作品创作的独有特点,摒弃之前研究中对作品的个别式分析形式,将六部作品按照不同的叙事内容与形式进行归纳与评价,力图站在叙事的角度对徐氏作品有全面的把握,以较独特的立足点寻找其意义和价值。
[Abstract]:The title of "talented woman" by Xu Jinglei, who is both a director and an actor, is still in play. Xu Jinglei filmed "me and Dad" in 2003, "A letter from an unfamiliar woman" in 2005, "Dreams into reality" in 2006, "Tu Lala's Promotion" in 2010, "close enemies" in 2011, "A place only known to us >" (2011), a total of six works. Xu Jinglei's six works are self-directed and self-directed, involved in screenwriting and later commercial promotion. In a small number of female directors, style is a school, works and box office has always attracted a large number of followers. From the early literary film to the later commercial film, Xu Jinglei's works show different narrative forms and image styles. The film contains her own life experience and thinking about the real society. In the film, narrative motif orientation, narrative strategy of text adaptation, narrative paradigm and choice of narrative structure all have distinct individualized style. This article will take Xu Jinglei's film works as the research object, in order to expect in the style completely different works to draw the cocoon, seeks Xu's movie narrative characteristic common character. The first part of this thesis is about the narrative characteristics of Xu Jinglei films. The first part summarizes the research of Xu Jinglei works at home and abroad through literature research, and then analyzes the significance of this study. Then the qualitative analysis method is used to discuss the artistic connotation of the film narrative. The most basic narrative function of the film is the complete story design, and the presentation of the story depends on the content and form of the film. The second part briefly combs Xu Jinglei's works in the order of time combined with Xu Jinglei's growing environment and personal life experience. In the main part of the article, the descriptive research method is used to analyze the narrative text of Xu Jinglei. The main content is to study the narrative motif of Xu Jinglei, the adaptation of text narrative, the narrative paradigm and the narrative structure. In the last part, the author analyzes the audiovisual language in Xu Jinglei films and explores Xu Jinglei's unique artistic aesthetic tendency. In this paper, Xu Jinglei director is placed in the flood of the times to deeply analyze the unique characteristics of Xu's works, abandon the individual analytical forms of the works in previous studies, and sum up and evaluate the six works according to different narrative contents and forms. From the perspective of narration, the author tries to grasp Xu's works in an all-round way and looks for their significance and value from a more unique standpoint.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

【参考文献】