中国电影的硬核现实主义及其三种变形

发布时间：2018-06-02 09:06

  本文选题：现实主义 + 二次元　； 参考：《文艺研究》2017年10期

【摘要】：中国电影创作越来越远离现实。20世纪90年代,中国电影出现了特有的"硬核现实主义"风格,《小武》和《秋菊打官司》可概括为这种硬核现实主义的两种表现形式。2002年至今的电影创作中,现实主义有三种走向,即为适应中国电影治理体制的策略而产生的"软核现实主义"、投机资本在产业化过程中诱导产生的"粉红色现实主义"和因新的青年亚文化兴起而出现的"二次元写实主义"。这些风格和作品属于变形的现实主义,共同体现了电影的故事工业所面临的"故事的衰竭"的时代危机。
[Abstract]:Chinese film creation is becoming more and more distant from reality. Chinese films have a unique "hard-core realism" style, "Xiao Wu" and "Qiuju lawsuit" can be summed up as the two forms of hard nuclear realism. In the film creation since 2002, realism has three trends. That is, "soft nuclear realism", "pink realism" induced by speculative capital in the process of industrialization and "quadratic element realism" arising from the rise of new youth subculture in order to adapt to the strategy of Chinese film governance system. These styles and works are metamorphosed realism, which reflects the crisis of the "story failure" faced by the film story industry.
【作者单位】： 北京大学艺术学院;
【分类号】：J905
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本文编号：1968211