我国历史文化纪录片故事化影像研究

发布时间：2018-06-05 21:57

本文选题：历史文化纪录片 + 故事化　；参考：《湘潭大学》2016年硕士论文

【摘要】：我国历史文化纪录片自诞生之日起便倍受观众瞩目,从最初的《丝绸之路》和“话说”系列等在播出后都受到观众的热捧。到现在已经成为纪录片大家族中非常重要的一员。在短短几十年的发展过程的中的它的创作表现手法也几经变化,其中一个重要的变化就是故事化创作手法的运用。纪录片的故事化创作手法在我国始于90年代中,到21世纪成为纪录片中一种盛行的创作手法。正是这种故事化的创作手法使得历史文化纪录片重新赢得观众的关注。历史文化纪录片故事化不仅受到当时技术条件的推动,同时也受到纪录片观念变化的影响,尤其是其中强调运用虚构策略为真实服务。其次是在市场化浪潮中为求生存而迎合观众的需要,正是在这种情况之下故事化在历史文化纪录片中应运而生。在历史文化纪录片中,故事化重点表现在故事性题材的选择、设置悬念、把握节奏以及情景再现中。从本质上说历史文化纪录片是一种电子传媒文化,其叙事方就是运用影像进行叙事。作为叙事的影像符号都是象征形式,影像叙事需要运用所有的影像符号,通过种象征形式才使得这种电子媒介文化具有可视性,最终实现故事化。历史文化纪录片故事化在通过影像符号表达过程中,主要是通过图像的故事化叙事、声音的故事化叙事、声画结合基础上而形成的情景再现,以及故事化的时空表现来实现故事化表达的效果。但故事化在影像表达过程中仍然还存在一些问题。首先表现在情景再现的过度运用,对历史文化纪录片真实性造成一定的损害;其次是过度追求影像的奇观化,导致了对影像对个体关注不够,使得在一定程度上减弱了它的历史厚重感,最后一个是它在故事化过程存在模式化表达问题。这些虽然目前仍然存在,但相信在纪录片的发展过程中,这些问题将逐渐得到解决。
[Abstract]:China's historical and cultural documentaries have attracted the attention of the audience since they were born. From the beginning of "Silk Road" and "the saying" series were popular with the audience after they were broadcast. Now it has become a very important member of the documentary family. In the short decades of development, its creative expression has changed several times, one of the important changes is the use of story writing techniques. The story writing technique of documentary began in 90's in our country, and became a popular creation technique in documentary film in the 21 ~ (st) century. It is this kind of story-based creation technique that makes historical and cultural documentaries win the attention of the audience again. The story of historical and cultural documentaries is not only promoted by the technical conditions at that time, but also influenced by the changes in the concept of documentaries, especially the emphasis on using fictional strategies to serve reality. Secondly, it caters to the audience's needs in order to survive in the tide of marketization, and it is under this circumstance that story emerges as the times require in historical and cultural documentaries. In historical and cultural documentaries, the emphasis of story lies in the choice of story theme, the establishment of suspense, the mastery of rhythm and the reappearance of scene. In essence, historical and cultural documentary is a kind of electronic media culture. Image symbols as narrative are all symbolic forms. Image narration needs to use all the image symbols to make this electronic media culture have visibility and finally realize the story. Historical and cultural documentaries in the process of expression through image symbols, mainly through the story of the image narrative, the story of the sound narrative, the combination of sound and painting on the basis of the formation of scene reproduction, And story-based time-space performance to achieve the effect of story-based expression. However, there are still some problems in the process of image expression. Firstly, the over-use of scene reappearance causes certain damage to the authenticity of historical and cultural documentaries; secondly, the excessive pursuit of the wonders of images leads to the lack of attention to the individual image. To some extent, it weakens its sense of historical weight, and finally, it has the problem of stereotype expression in the course of story. Although these problems still exist, it is believed that these problems will be solved gradually in the process of documentary development.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J952

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