《琅琊榜》的空间叙事与中国艺术精神

发布时间：2018-06-06 03:32

本文选题：《琅琊榜》 + 空间叙事　；参考：《中国文学研究》2017年01期

【摘要】：空间是区别于时间之外人类存在的基本方式。空间不仅是场所,也是意识形态。影视语言中空间具有永在性与优位性,中国电视剧创作长期存在的空间缺位状态严重影响了电视剧的品质。《琅琊榜》打造了一个颇富质感又深蕴中国艺术精神的诗性空间。从意识形态上解读《琅琊榜》的空间叙事,我们不难发现其中潜藏的社会心理与时代症候。
[Abstract]:Space is the basic way of being different from time. Space is not only a place, but also an ideology. The space in the film and television language is permanent and superior, and the space vacancy in the creation of Chinese TV plays has seriously affected the quality of the TV series. Langya Bang has created a poetic space with rich texture and deep Chinese artistic spirit. It is not difficult to find the latent social psychology and the symptom of the times in interpreting the space narration of Langya Bang from the angle of ideology.
【作者单位】：廊坊师范学院文学院;西安外国语大学英文学院;
【基金】：廊坊师范学院课题“电视剧叙事的空间维度研究”(LSWY201513)阶段性成果
【分类号】：J905

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