日本动物主题电影研究

发布时间：2018-06-14 09:44

本文选题：日本动物电影 + 主题　；参考：《华中师范大学》2013年硕士论文

【摘要】：2004年的《导盲犬小Q》,一只名叫小Q的拉布拉多犬感动了亚洲一亿观众。自此之后,日本动物电影佳作不断,在欧美国家占主体的市场中,凭借独特的东方风韵,吹来一股清新质朴之风,赢得了一席之位。东方人特有的细腻内敛赋予了动物电影独树一帜的东方风韵。日本动物电影以故事片为主,制作精良,银幕风格内敛、质朴,叙事缓慢、忧愁,处处侵润着日本民族文化的忧郁和感伤的基调,散发着独特的日本文化气息。本文选取几部影片进行分析,旨在对日本动物电影进行一个全面系统的研究,寻找日本动物电影成功的原因,并对我国的影片有所启发,大致框架如下：第一部分从形式、动物形象和银幕风格三方面对日本动物电影进行一个详细的介绍,然后从“忠诚”的民族精神、“神道”的民俗文化和“物哀”的民族文化三个方面透析影片形成的原因；第二部分是对日本动物电影银幕风格的阐述,从镜头、画面、音乐三个方面进行详细的阐述；第三部分用生态美学理论分析了日本动物电影的主题,分别是人与自然的和谐、缺失与寻找、救赎与回归,这三方面体现了生态美学谋求人、自然、社会协调统一的审美需求；第四部分归纳总结出日本动物电影的成功原因,分别是传承民族文化性、把握艺术的共通性和回归童真童趣；第五部分在上文的基础上,首先对中国动物电影进行一个简单的梳理,并探究了中国动物电影发展缓慢是由于生态意识的缺失导致的,接下来从生态意识的觉醒、思想理念的灿烂和文本的丰富三方面,分析了中国动物电影得以发展的可能性,最后,结合日本动物电影对中国的启示,总结出中国动物电影发展的未来之路。
[Abstract]:In 2004, a Labrador named Q touched 100 million viewers in Asia. Since then, Japanese animal films have been constantly, in Europe and the United States dominated the market, with a unique Oriental charm, blowing a fresh simple wind, won a seat. The peculiar delicacy and introversion of oriental people endow the animal film with its unique oriental charm. Japanese animal films are mainly feature films, which are well produced, with an introverted screen style, simple, slow narration, sadness, and the melancholy and sentimental tone of the Japanese national culture. This article selects several films to carry on the analysis, the purpose is to carry on a comprehensive and systematic research to the Japanese animal movie, to find the reason which the Japanese animal movie succeeds, and to our country's film has the inspiration, the approximate frame is as follows: the first part from the form, The animal image and screen style are introduced in detail, and then the reasons for the formation of the film are analyzed from three aspects: the national spirit of "loyalty", the folk culture of "Shinto" and the national culture of "object mourning". The second part is the Japanese animal film screen style elaboration, from the lens, the picture, the music three aspects carries on the detailed elaboration; the third part uses the ecology esthetics theory to analyze the Japanese animal movie theme, respectively is the human and the nature harmony, Lack and search, redemption and return, these three aspects reflect the aesthetic needs of ecological aesthetics to seek harmony and unity of human, nature and society. The fourth part summarizes the reasons for the success of Japanese animal films, which are the inheritance of national culture, respectively. Grasp the commonality of art and return to childlike innocence; part five, on the basis of the above, makes a simple combing of Chinese animal films, and explores that the slow development of Chinese animal films is caused by the lack of ecological consciousness. Then, from the awakening of ecological consciousness, brilliant ideas and rich texts, the paper analyzes the possibility of the development of Chinese animal films. Finally, combined with the enlightenment of Japanese animal films to China, Summarize the future road of Chinese animal film development.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【共引文献】