央视开年大戏研究

发布时间：2018-06-14 15:05

本文选题：央视开年大戏 + 社会语境　；参考：《南京师范大学》2013年硕士论文

【摘要】：1998年,伴随着《水浒传》的热播,央视开年大戏正式走进人们的生活,在十五年里,十五部精品电视剧成功将央视开年大戏打造成为彰显民族文化品格的电视品牌,引领着中国电视剧的创作潮流,并推动中国电视剧的市场化进程。如今,十五部央视开年大戏已经成为人们标识社会记忆的节点,构成人们认识和了解中国社会发展变迁的新角度。因而,对这一独特的电视文化现象进行系统深入的梳理和研究至关重要。本文从央视开年大戏这一独特的电视文化现象整体出发,以民族文化为基点展开分析。第一章为综述,试图从历史传承、发展脉络以及社会语境三方面清晰全面地介绍央视开年大戏；第二章主要从叙事内容的选择、叙事手法呈现以及英雄形象塑造三个方面展开,探究央视开年大戏彰显中国气派的家国叙事编码；第三章为文化层面的分析,抒写中国情怀是央视开年大戏一直受观众追捧的重要原因,本章对文化情怀的分析主要放在对文化记忆的守望、跨越时代的家国文化命题以及无形中彰显的生命魅力上；第四章主要分析央视开年大戏的社会功能和现实困境。本论文综合了哲学、美学、电影学、心理学、社会学、传播学、人类学等多个学科方面的知识,以电视剧文本分析为基础,展开对央视开年大戏系统深入的研究,以期弥补当下央视开年大戏研究的空白。
[Abstract]:In 1998, with the popularity of "Water margin", CCTV's opening New year drama formally entered people's lives. In the past 15 years, 15 top-quality TV dramas have successfully established CCTV's opening New year drama as a television brand that demonstrates the national cultural character. Leading the creation trend of Chinese TV series, and promoting the marketization process of Chinese TV series. Nowadays, the 15th CCTV New year Opera has become the node of people's social memory, and constitutes a new angle for people to understand and understand the development and changes of China's society. Therefore, it is very important to make a systematic and deep research on this unique television cultural phenomenon. Based on the national culture, this paper starts from the unique TV cultural phenomenon of CCTV's New year drama. The first chapter is a summary, trying to introduce CCTV opening New year drama clearly and comprehensively from three aspects of historical inheritance, development context and social context; the second chapter mainly from three aspects of the choice of narrative content, narrative presentation and heroic image creation, the second chapter focuses on three aspects: the selection of narrative content, the presentation of narrative techniques and the creation of hero image. The third chapter is the analysis of culture level, expressing Chinese feelings is the important reason why CCTV opening New year drama has been sought after by the audience. In this chapter, the analysis of cultural feelings is mainly put on the cultural memory of the watch, across the times of home and country culture proposition and the invisible charm of life; the fourth chapter mainly analyzes the social functions and practical difficulties of CCTV opening New year drama. This paper synthesizes the knowledge of philosophy, aesthetics, film science, psychology, sociology, communication, anthropology and so on. In order to make up for the current CCTV New year drama research gaps.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【参考文献】