“作者导演”曹保平的电影艺术研究

发布时间：2018-06-14 17:53

本文选题：曹保平 + “作者电影”　；参考：《贵州师范大学》2017年硕士论文

【摘要】：发源于法国新浪潮运动的“作者电影”理论,倡导发现“个人”、张扬“个性”。“作者电影”理论对“作者”的抬高使创作者“个人”的自觉性、自由性和创造性在电影中得到充分表达,也因此开创了世界电影发展的新局面。曹保平现任北京电影学院影视文学系教授,在进行教学工作的同时也从事了大量的影视编导创作,作为当下为数不多有较高艺术追求和自我表达能力的优秀电影导演,其电影带有强烈的“作者”印记。本文以“作者电影”理论为指导依据,以曹保平个人创作为出发点,结合其四部影片(《光荣的愤怒》、《李米的猜想》、《烈日灼心》、《追凶者也》)进行具体论述,详细分析曹保平电影的特色和策略,探寻其在四部影片中的个人“签名”。论文绪论部分简要概括了曹保平电影的国内外研究现状以及本次论文的研究意义。第一章具体分为三个方面论述。一是“作者电影”理论的溯源;二是对曹保平“作者电影”创作历程的分析;三是分析曹保平对电影的独立化追求。第二章通过对曹保平四部电影依次分析和解读,得出其电影作品的类型特征和主题寓意,加深对其“作者电影”内在涵义的理解。第三章运用视听语言的理论知识,对曹保平四部电影中的长镜头、手持摄影、连续性剪辑和声色四个方面的特征做出详尽解读,并与电影主题相结合,分析其电影视听语言的表现手法。第四章通过对曹保平电影叙事策略进行论述,主要包括电影结构和叙述特征两部分,意在发现曹保平电影叙事形式的创新点。本文以“作者电影”理论为支撑,采用文本分析法对曹保平电影作品进行全方位解读,探究曹保平电影艺术的特色和创新性。
[Abstract]:The author's film theory, which originated in the French New Wave Movement, advocates the discovery of "individual" and publicizes "individuality". The elevation of the theory of "author's film" to "author" makes the author's consciousness, freedom and creativity fully expressed in the film, thus creating a new situation for the development of film in the world. Cao Baoping is currently a professor in the Film and Television Literature Department of Beijing Film Academy. He is also engaged in a large number of film and television authoring works while teaching. As one of the few outstanding film directors with a higher artistic pursuit and self-expression ability, Cao Baoping is now one of the few outstanding film directors. The film bears a strong "author" stamp. Based on the theory of "the author's film" and Cao Baoping's personal creation, this paper discusses in detail four of his films ("Glorious anger", "Li Mei's conjecture", "the scorching Sun", "the pursuer"). The characteristics and strategies of Cao Baoping's films are analyzed in detail, and his personal signatures in the four films are explored. The introduction briefly summarizes the domestic and international research status of Cao Baoping's films and the significance of this paper. The first chapter is divided into three aspects. The first is the origin of the author's film theory, the second is the analysis of Cao Baoping's creation process of the author's film, and the third is the analysis of Cao Baoping's independent pursuit of the film. The second chapter analyzes and interprets the four films of Cao Baoping in turn, and obtains the type characteristic and theme meaning of his film works, and deepens the understanding of the intrinsic meaning of his "author's film". The third chapter uses the theory knowledge of audiovisual language to make a detailed interpretation of the characteristics of the long lens, hand-held photography, continuous editing and sound and color in Cao Baoping's four films, and combine them with the film theme. Analysis of its film audio-visual language expression. The fourth chapter discusses Cao Baoping's film narrative strategy, mainly including the film structure and narrative characteristics, in order to find the innovation of Cao Baoping's film narrative form. Based on the "author's film" theory, this paper uses the text analysis method to interpret Cao Baoping's film works in all directions, and probes into the characteristics and innovation of Cao Baoping's film art.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

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