《我不是潘金莲》的写意表达与荒诞叙事

发布时间：2018-06-15 06:26

  本文选题：《我不是潘金莲》 + 圆形画幅　； 参考：《电影文学》2017年05期

【摘要】：冯小刚导演的电影《我不是潘金莲》通过令人称道的圆形画幅和荒诞的叙事手法,用具有中国特色的写意笔法将江南水乡的朦胧之景和以权力为中心的中国官场百态相结合,揭示出经济转型时期中国社会道德和法律的冲突,现实生活中人们所面临的信任危机和精神困境;讽刺了各级官员因为追求权力而呈现出人的异化,也表现出对于部分官员漠视民情的批判;体现出导演看似荒诞实则沉重的人文关怀,具有深刻的思想价值。
[Abstract]:The film directed by Feng Xiaogang, "I am not Pan Jinlian," combines the obscurity of the watery countryside in the south of the Yangtze River with the power-centered Chinese officialdom through a praiseworthy round picture and absurd narrative techniques, using freehand brushwork with Chinese characteristics. It reveals the conflicts between social morality and law in the period of economic transition, the crisis of trust and spiritual dilemma that people face in real life, and satirizes the alienation of human beings because of the pursuit of power by officials at all levels. It also shows the criticism of some officials' disregard for the people's feelings, and reflects the director's seemingly absurd but heavy humanistic concern, which has profound ideological value.
【作者单位】： 西安翻译学院;
【分类号】：J905
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本文编号：2021031