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新世纪中泰爱情电影比较研究

发布时间:2018-06-15 18:21

  本文选题:中国爱情电影 + 泰国爱情电影 ; 参考:《湖南师范大学》2014年硕士论文


【摘要】:爱情电影作为最具票房号召力和艺术表现力的电影类型之一,不仅越来越为市场所重视,也日益成为学术界研究的对象中心之一。一个值得关注和研究的现象是,新世纪以来泰国的爱情电影异军突起,成为欧美传统电影强国和日韩等新兴电影强国之外崛起的一股新力量。而泰国与中国同处东亚,又都是发展中国家,故其成功之处对中国内地的爱情电影发展具有更为直接的现实意义和指导作用。本论文通对中国和泰国爱情电影进行多方面的比较,探寻泰国爱情电影的可借鉴之资,与此同时,也对中国爱情电影进行了一定的梳理和总结。 通过对中泰爱情电影进行比较,可以发现两者的相同点在于:第一,都具有强大的衍生力,经常与其他电影类型融合,形成新的爱情电影子类型,这种类型融合成为新世纪中泰爱情电影的新趋势;第二,近几年中泰喜剧爱情电影在大众文化的催生下获得前所未有的发展,票房号召力较强;第三,“情圣”、底层人物以及具有时代气息的男女成为两国爱情电影的主要人物形象;第四,线性情节结构为中泰爱情电影的传统。 而两者的不同点在于:第一,以都市爱情为题材的电影占据中国爱情电影的主体位置,而以校园为背景、描述初高中生的清新爱情的青春爱情电影则据泰国爱情电影的半壁江山;第二,相较泰国喜剧爱情电影中爱情和喜剧水乳交融的局面,中国的喜剧爱情电影则出现了爱情和喜剧各自为战的状况,因此审美价值稍显不足;第三,在佛教文化的影响下,泰国爱情电影的导演们对于青少年和酷儿群体的情感世界持更为宽容的创作态度,拍摄出的作品也广受全球观众的好评,然而中国却少有广受关注的青春爱情电影和有关酷儿题材的爱情电影;第四,从故事层面来说,中国爱情电影较泰国出现剧本原创性不足、爱情本位缺失和可信度低等方面的短板;第五,中国的“小妞”形象受到都市白领女性的追捧;第六,中国爱情电影更注重故事的情节结构的革新。 中国爱情电影要想取得国际性的进展,可以从以下四个方面努力:1,讲好爱情故事;2,探寻、发掘适合本民族的情感表达方式;3,以人文关怀开拓情感世界的表现领域;4,强化喜剧爱情电影的审美意义。
[Abstract]:As one of the most attractive and artistic film types, love film is not only paid more and more attention to by the market, but also become one of the object centers of academic research. A phenomenon worthy of attention and research is that since the new century, the love film of Thailand has suddenly emerged, and has become a new force rising beyond the traditional movie power of Europe and the United States, the rising power of Japan and South Korea and other emerging movie powers. Thailand shares East Asia with China and is also a developing country, so its success has more direct practical significance and guiding function to the development of romantic movies in the mainland of China. This paper compares the Chinese and Thai love movies in many aspects, and explores the resources of Thai love movies. At the same time, it also summarizes the Chinese love movies. By comparing the Chinese and Thai love movies, we can find that the similarities between the two are as follows: first, both have strong derivative power and often merge with other movie types to form new love film subtypes. This type of fusion has become a new trend of Sino-Thai love movies in the new century; second, in recent years, Chinese-Thai comedy and love movies have achieved unprecedented development under the influence of popular culture, and the box-office appeal is relatively strong; third, "Love Sage." The bottom characters and the men and women with the flavor of the times become the main characters of the two countries' love movies; fourth, the linear plot structure is the tradition of the Sino-Thai love movies. The difference between the two is as follows: first, movies with urban love theme occupy the main position of Chinese love movies, and take the campus as the background. The youthful love movies that describe fresh love among junior high school students are based on half of Thai love movies. Second, compared with the situation in Thai comedy love movies, love and comedy are in harmony with each other. China's comedy and love movies have appeared in love and comedy, so the aesthetic value is slightly inadequate; third, under the influence of Buddhist culture, The directors of Thai love films have a more tolerant attitude towards the emotional world of teenagers and queer groups, and the works produced have been well received by audiences around the world. However, there are few popular youth and love movies in China. Fourth, at the story level, Chinese love movies are less original than those in Thailand. Lack of love standard and lack of credibility; fifth, the image of "chick" in China is sought after by urban white-collar women; sixth, Chinese love movies pay more attention to the reform of the plot structure of the story. If Chinese love movies want to make international progress, they can try their best to make efforts in the following four aspects: 1, tell love stories well, explore and explore the expression of emotion suitable for their own nation, and open up the field of expression in the world of emotion with humanistic solicitude; 4. Strengthen the aesthetic significance of comedy and love film.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

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本文编号:2023067


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