探析国产影视动画场景设计中的民族文化

发布时间：2018-06-16 11:45

本文选题：中国 + 动画场景设计　；参考：《陕西师范大学》2014年硕士论文

【摘要】：早在20世纪90年代,文化创意产业已经在西方国家生根发芽,并很快成为为支柱性产业而为各国政府所注重。随着视觉文化观念的深入人心,以及数字信息技术时代的到来,影视动漫画产业一跃成为文化创意产业中最有发展潜力的行业之一。然而,在全球化时代背景之下,中国动画艺术“民族化”很多时候只是作为一个纲领性的口号在宣讲。首先要尽可能将中华民族固有的文化元素融入到影视动漫作品中,让它更富有中国民族风格,这是当今国产影视动画的一个主要发展动向。动画场景设计是动画制作中一个重要的组成部分,不同的设计会带来不一样的风格与视觉感受,从而直接影响整部影片的效果。本研究对国产影视动画场景涉及到的文化进行全方位的探索,并借鉴吸收欧美、日韩影视动漫场景设计的经验,以期概括出带有一定实践指导意义的场景设计规律,从而创造出价值观念、审美观念、风俗习惯等各个方面都富有中国特色的优秀动漫艺术作品。动画场景的设计通常是为动画角色提供一个依托,要符合影片的总设计,就要展现故事发生的历史背景、文化风貌、地理环境以及时代特征。因而,了解场景之中涉及到的文化内涵就显得尤为重要。由文化内涵串联成相应的民族风情,这样的设计就因包含了丰富的民族元素而大放异彩。鉴于国内影视动画多着眼于动画技术的研究开发与应用,而对动画场景设计的文化探究相对罕见,本研究着重从这一方面入手,即由影视场景设计开始,找出它所涉及到的文化领域、审美维度,再横向延伸至角色创作、故事情节发展等各个要素当中,期待着用中国的文化元素来开发出有中国印记的动漫影视作品。再纵向的比较,即美国、日本等国的影视作品比较中,揭示经典影视动画作品中所需要的文化设计理念,将它应用到中国的影视动画场景设计中来,通过与现代科技的接轨,创作出成为我们这个时代文化丰碑的真正的精品。
[Abstract]:As early as the 1990s, cultural and creative industries have taken root in western countries and become pillar industries. With the popularity of visual culture and the arrival of digital information technology era, film and television cartoon industry has become one of the most potential industries in the cultural and creative industries. However, under the background of globalization, the nationalization of Chinese animation art is often preached as a programmatic slogan. First of all, we should try our best to integrate the cultural elements of the Chinese nation into the film and television animation works to make it more Chinese national style, which is the main development trend of the domestic film and television animation. Animation scene design is an important part of animation production, different design will bring different styles and visual feelings, thus directly affect the effect of the entire film. This study explores the culture involved in domestic film and television animation scene, and draws lessons from the experience of European, American, Japanese and Korean movie animation scene design, in order to generalize the scene design law with certain practical significance. Thus creating values, aesthetic concepts, customs and other aspects are rich in Chinese characteristics of excellent animation art works. The design of animation scene is usually to provide a support for the character of animation. In order to accord with the overall design of the film, it is necessary to show the historical background, cultural style, geographical environment and the characteristics of the times of the story. Therefore, it is particularly important to understand the cultural connotations involved in the scene. Cultural connotations linked into the corresponding ethnic customs, such a design because of the rich elements of the nation and shine brilliantly. In view of the fact that domestic film and television animation is mostly focused on the research and application of animation technology, and the cultural exploration of animation scene design is relatively rare, this study focuses on this aspect, that is, starting from film and television scene design. Find out the cultural field, aesthetic dimension, and then extend to the role creation, storyline development and other elements, looking forward to using Chinese cultural elements to develop the animation film and television works with Chinese imprint. Then the vertical comparison, that is, in the comparison of film and television works in the United States, Japan and other countries, reveals the cultural design concept needed in the classic film and television animation works, and applies it to the design of Chinese film and television animation scene, through the connection with modern science and technology. To create a cultural monument of our time to become the real boutique.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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