试论中国当代影片的意境营造

发布时间：2018-06-16 13:39

本文选题：中国当代影片 + 意境　；参考：《电影文学》2017年06期

【摘要】：意境不仅是中国传统文艺之精髓,还是中国电影保持独立品格的重要保障,从中国电影发展之初,意境的营造就成为几代电影人不懈的追求。本文将在简要概述中国诗情画意的光影世界和"意象"与中国电影之关联的基础上,从"虚实相生"之境、"景意相合"之境、"哲思相融"之境三个层面,以《红高粱》《卧虎藏龙》《颐和园》《阳光灿烂的日子》《苏州河》等影片为分析范例,试图讨论中国当代影片中的意境营造。
[Abstract]:Artistic conception is not only the essence of Chinese traditional literature and art, but also an important guarantee for the independent character of Chinese films. From the beginning of the development of Chinese films, the creation of artistic conception has become the unremitting pursuit of several generations of filmmakers. On the basis of a brief overview of the light and shadow world of Chinese poetry and painting and the relationship between "image" and Chinese film, this paper will discuss the three levels of "the boundary of" the "living with the void", "the harmony of the scenery and the idea", and the "harmony of the philosophic thoughts". Taking "Red Sorghum", "Crouching Tiger, Hidden Dragon", "the Summer Palace", "Sunshine days" and "Suzhou River" as examples, this paper tries to discuss the artistic conception construction in contemporary Chinese films.
【作者单位】：河南牧业经济学院;
【分类号】：J905

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