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新时期军旅剧中军嫂形象研究

发布时间:2018-06-17 13:47

  本文选题:新时期 + 军旅剧 ; 参考:《南京航空航天大学》2014年硕士论文


【摘要】:随着文化多元化的发展,展现当代军人生活题材的影视剧深受观众的喜爱,剧中曾经“高大全”的人物形象逐渐走下了高不可攀的神坛,出现人性化、大众化变奏。作为军旅影视剧中不可缺少的角色之一,军嫂形象频频出现,尤其是2012年几部以军嫂为叙事对象的电视剧的播出,更体现了对军嫂形象研究的现实意义。 目前学界关于军旅影视剧中军嫂形象的研究,仅限于局部的零星层面,全面整体的关注尚未及见。因此,对这一类影视剧中的人物形象进行类型分析有一定的必要性。论文以新时期军旅剧中的军嫂形象为研究对象,对其进行了纵横两个方面的剖析。文章先通过梳理军嫂形象的历史建构,,以时间为线索呈现军嫂形象从传统到当代的变迁历程。在此基础上,重点分析新时期军旅剧中所建构的军嫂形象。论文采用文本剖析法,以《成长》、《十五的月亮》、《五湖四海》等几部新时期军旅剧为对象,从女性主义的研究视角出发,指出相比传统军嫂形象“沉默的他者”或盲目打破传统价值观束缚的特点,新时期军嫂形象实现了妥善地均衡“自我奉献”与“自身价值”的关系,进而引出论文的核心观点——新时期军嫂形象在对待传统女性价值观上,形成了一条“解构—瓦解—重构—回归”的人物塑造轨迹。
[Abstract]:With the development of cultural diversity, movies and TV dramas that show the life theme of the contemporary soldiers are loved by the audience. The characters of the play once "tall and complete" have gradually stepped down from the unreachable shrine, with the appearance of humanization and popular variation. As one of the indispensable roles in military movies and TV dramas, the image of military sister-in-law appears frequently, especially the broadcasting of several TV dramas in 2012, which takes military sister-in-law as the narrative object, which reflects the realistic significance of studying the image of military sister-in-law. At present, the research on the image of Chinese military sister-in-law in military drama is limited to local sporadic level, and the overall attention has not yet been seen. Therefore, it is necessary to analyze the characters in this kind of movies and TV dramas. This paper takes the image of military sister-in-law in military drama in the new period as the research object and analyzes it from two aspects: vertical and horizontal. The article first combs the historical construction of the image of the military sister-in-law, taking time as the clue to present the vicissitude of the image of the military sister-in-law from the traditional to the contemporary. On this basis, the emphasis of the new period of military drama in the construction of the image of military sister-in-law. The thesis adopts the text analysis method, taking several military dramas of the new period, such as "growing up", "the Moon of the Fifteenth Five-Year", "all over the world", and so on, as objects, from the perspective of feminism. It is pointed out that compared with the traditional image of "silent other" or blindly breaking the shackles of traditional values, the image of "military sister-in-law" in the new period has achieved a proper balance between "self-dedication" and "self-value". The core point of the thesis is that the image of military wife in the new period has formed a "deconstruction-disintegration-reconstruction-return" of characters in the treatment of traditional female values.
【学位授予单位】:南京航空航天大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

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