“未来属于幽灵”——在“后人类”的影像之中重拾叙事时间

发布时间：2018-06-19 02:20

  本文选题：后人类 + 机器　； 参考：《当代电影》2017年11期

【摘要】：后人类理论与影像,看似晚近以来皆陷入了困顿的局面。通过返归叙事、时间及主体性这些基本问题,我们得以重新敞开思索的可能。大卫·波德维尔在批判经典叙事理论的同时仍然保留了主体性的幻象,德勒兹所启示出的"欲望-机器"及"神经-影像"的概念虽然更为彻底地推进了电影的后人类变革,却最终陷入主体性的难题之中难以自拔。由此,加里·沃尔夫对德里达的幽灵学说的阐发,及对三种时间性的暗示,皆足以提供有效的解决途径。
[Abstract]:Post-human theory and image seem to have been trapped in the situation. Through the return narrative, time and subjectivity, we can re-open the possibility of thinking. David Bodwell still retains the illusion of subjectivity while criticizing the classical narrative theory. The concepts of "lust-machine" and "neuro-image" revealed by Deleuze have promoted the post-human transformation of the film more thoroughly. However, it is difficult to extricate itself from the problem of subjectivity. Therefore, Gary Wolff's explanation of Derrida's ghost theory and the implication of three kinds of time are all sufficient to provide an effective solution.
【作者单位】： 华东师范大学哲学系;
【基金】：上海市教育发展基金会曙光计划项目“身-言-像:当代法国艺术哲学的三个主题”(项目编号:12903-412221-17007)的阶段性成果
【分类号】：J905
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本文编号：2037914