民族志考察及影像拍摄中的“迭影”现象

发布时间：2018-06-19 04:08

本文选题：民族志影像 + 视觉表达　；参考：《民族艺术》2017年04期

【摘要】：在民族志考察及影像拍摄中,有一种"多重意象"迭合的现象,如同电影或照相的"迭影",是好几个具有透明性质的影像的重迭,合并为一,但是并不因此而丧失个别影像的特质,反因重迭而使意义的层次更加丰富。在民族志纪录片《矮人祭之歌》的田野考察中,台湾赛夏人的仪式过程产生了几重"迭影"现象:死者和生者、本族和外族、人和植物、人和灵、灵和灵、不同时空的祭祀或表演对象等,都在不同的情境中发生"迭影"。由于历史原因,与外界恩怨交织的情感是许多族群的文化主题和认知惯习;亦敌亦友的他我关系,使彼此隔离的族群边界出现了一个模糊地带,从而形成不同形式的"迭影",这种"迭影",其实是历史与现实时空中的社会系统、族群关系和文化心理的复杂投影。
[Abstract]:In the ethnographic investigation and image shooting, there is a phenomenon of "multiple images" overlapping, like the "overlap" of a film or photograph, which is a superposition of several images of a transparent nature, which are merged into one. But it does not lose the characteristics of individual images. Instead, it enriches the level of meaning. In the fieldwork of the ethnographic documentary "the Song of the Dwarves' sacrifice", the ritual process of the Seixia people in Taiwan produced several overlapping phenomena: the dead and the living, the native and the foreign, the human and the plant, the man and the spirit, the spirit and the spirit, the dead and the living, the native and the alien, the human and the spirit, the spirit and the spirit. Sacrifice or performance objects in different time and space take place in different situations. For historical reasons, feelings intertwined with the outside world are the cultural themes and cognitive habits of many ethnic groups, and the relationship between others, who are also enemies and friends, has created a blur in the boundaries of the ethnic groups that are separated from each other. In fact, it is a complex projection of social system, ethnic group relationship and cultural psychology in history and reality.
【作者单位】：台湾"中央研究院"民族学研究所;中山大学社会学与人类学学院;
【基金】：国家社科基金重大项目“中国宗教艺术遗产调查与数字化保存整理研究”(11&ZD185)阶段性成果
【分类号】：J952

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