当代国产魔幻电影的神话学批评

发布时间：2018-06-19 06:30

本文选题：神话学 + 《指环王》　；参考：《扬子江评论》2016年01期

【摘要】：正在21世纪"神话复兴"的文化浪潮和新技术革命的共同驱动下,世界影坛掀起了魔幻电影的热潮,《指环王》、《哈利·波特》系列电影、《阿凡达》等影片风靡全球,不仅收获了高企的票房,同时还收获了跨地域、跨文化的情感认同和狂热追捧,进一步推动了此类影片的发展和成熟。中国影坛自2005年陈凯歌的《无极》问世以后,一直到最近的《西游记之大圣归来》《捉妖记》,魔幻电
[Abstract]:Driven by the cultural wave of the "myth renaissance" in the 21st century and the new technological revolution, the world film world has set off a wave of magic movies. The Lord of the Rings, the Harry Potter series, and Avatar have become popular all over the world. Not only the high box office, but also the cross-regional, cross-cultural emotional identity and fanaticism, further promote the development and maturity of such films. Since the publication of "Wuji" by Chen Kaige in 2005, the Chinese film scene has been until the most recent "return of the Great Sage of Journey to the West" Monster Hunt ", magic electricity.
【作者单位】：上海财经大学国际文化交流学院;
【基金】：国家社会科学基金项目“中国当代文学影视改编的民族性问题研究”(项目编号:15BZW170)的阶段性成果
【分类号】：J905

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