电影剪辑对影像时空结构重建的运用研究
发布时间:2018-06-19 14:12
本文选题:电影剪辑 + 时间 ; 参考:《江西师范大学》2014年硕士论文
【摘要】:传统艺术一般分为两类:一种是空间艺术,比如美术、建筑、舞蹈;一种是时间艺术,比如音乐、戏剧、文学,而电影则是时间艺术与空间艺术的综合体。弗里克斯·恩格斯说:“一切存在的基本形式是空间和时间,时间以外的存在和空间以外的存在,同样是十分荒谬的事情。”电影艺术在其自身的发展过程中,有着多种多样的时空结构形式。而电影艺术家主要任务之一就是如何巧妙地将它们运用到电影叙事结构中来。传统叙事以线性时间发展为典型结构类型,有清晰的叙事脉络和线索,,以一系列互为关联的事件按照线性安排环环相扣,最后导致一个戏剧性结局;而随着电影的内容和主题愈加丰富,对电影的叙事的手法也经过不断探索和尝试后愈加多样化,现代影片摆脱了旧的戏剧结构的框子,利用非线性剪辑思维方式结构影片做了种种大胆的尝试,这就要求剪辑师在影片的创作过程中,需要根据导演的创作意图和艺术构思,对时空结构方面有一个周密的设计,拟出于之相适应的剪辑思路,架构出最合适的时空和结构,准确完成影片的叙事,实现导演的艺术构思进而带来新的时空结构类型。本文对电影剪辑、电影时空和对时空叙事结构及创造方法进行了系统的思考,努力阐释电影剪辑对电影时空结构重建的重要作用,并总结了现代电影的六种反传统的现代时空结构方式,进而形成了多种结构并存的现代电影艺术。
[Abstract]:Traditional art is generally divided into two categories: one is space art, such as art, architecture, dance; the other is time art, such as music, drama, literature, and film is a combination of time art and space art. "the basic form of all existence is space and time," said Felix Engels. "it is also absurd to exist outside time and beyond space." Film art in its own development process, has a variety of space-time structure. One of the main tasks of film artists is how to apply them to the narrative structure of films. The traditional narrative takes the linear time development as the typical structure type, has the clear narrative thread and the clue, with a series of interrelated events according to the linear arrangement, finally leads to a dramatic ending; As the content and theme of the film become richer and the narrative techniques of the film become more diversified after constant exploration and attempt, the modern film has got rid of the frame of the old dramatic structure. A variety of bold attempts have been made to use the non-linear editing mode of thinking to structure the film, which requires the editor to have a thorough design of the space-time structure according to the director's creative intention and artistic conception in the course of the film creation. Based on the corresponding editing ideas, this paper constructs the most suitable time and space and structure, completes the narration of the film accurately, realizes the artistic conception of the director and then brings a new type of space-time structure. This paper makes a systematic thinking on film editing, film time and space, and the narrative structure and creation method of time and space, and tries to explain the important role of film editing in the reconstruction of film time and space structure. Six anti-traditional ways of modern space-time structure are summarized, and a variety of modern film art is formed.
【学位授予单位】:江西师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J932
【参考文献】
相关期刊论文 前1条
1 苏·巴伯 ,理·梅塞 ,林瑞颐;《法国中尉的女人》详析[J];世界电影;1988年02期
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