恐怖电影中的精神病人形象研究

发布时间：2018-06-20 02:15

本文选题：恐怖电影 + 精神病人形象　；参考：《重庆大学》2014年硕士论文

【摘要】：恐怖文化可以宣泄人们在全球化、市场化的快速发展变化中产生的不安和焦虑，并从中体验到高度惊险刺激的快感，以满足恐怖心理的渴求。人们爱看恐怖片，也得益与恐怖片与生俱来的暴露人类本性的特点。恐怖片中的精神病人和正常人的人物关系是构成叙事戏剧化的方式之一，在表达这种关系即揭示人性主题和精神病人形象在影片中所隐藏的文化内涵的彰显也同样重要。本文研究的重点是恐怖片中的精神病人形象，精神病人越来越多地出现在恐怖片中甚至作为叙事主体这一现象既是现代文明发展下的人性表达也是现代人对生活现状产生的集体焦虑的表现。在商业上，这类影片所提供的精神病人形象很大程度上满足了主流观众对于各种病态行为的猎奇心态，当代商业媒介下催生的精神病人的非正常性行为和思想折射出电影的观众的好奇心理。在艺术上，恐怖片中的精神病人形象很好地浓缩了属于那个时代人类共同的诟病，其恰如其分地暗指了当下一般现实逻辑的审美趋向和心态。如此看来，至少从某一方面，恐怖电影中的精神病人形象研究对于如何揭示文化内涵和人性表达就显得尤为重要了。现阶段关于恐怖片类型研究的重点还是主要集中于叙事、主题、视听语言、功能等方面的研究，而就其内在的文化研究很少。本文试图从恐怖电影中的精神病人形象进行分析阐述，从恐怖电影的发展历史，精神病人恐怖形象的表现形式，出现的原因着手，结合社会学、心理学和弗洛伊德的精神分析学说和早期福柯研究的理性压抑下的疯狂的产生和治疗等理论依据，采用精神分析、意识形态批评等方法研究恐怖电影中的精神病人形象及其文化内涵。笔者希望通过对恐怖电影中精神病人形象的研究试图表达一定的社会现实问题及其意义，，从而尝试为弥补学术上这方面的不足尽绵薄之力。
[Abstract]:The culture of terror can give vent to the uneasiness and anxiety caused by the rapid development and change of globalization and marketization, and experience the high thrill pleasure in order to satisfy the craving of terror psychology. People like to watch horror movies, but also benefit from the inherent nature of horror movies exposed the characteristics of human nature. The relationship between the mental patient and the normal person in the horror film is one of the forms of narrative dramatization. It is also important to reveal the theme of human nature and the manifestation of the cultural connotation hidden in the film. The focus of this study is the image of the psychopath in horror films, The phenomenon of mental patients appearing more and more in horror films and even as narrative subjects is not only the expression of human nature under the development of modern civilization, but also the expression of collective anxiety of modern people on the current situation of life. Commercially, the images of mental patients offered by such films largely satisfy mainstream audiences' curiosity about various pathological behaviors. The abnormal behavior and thought of the mental patients under the contemporary commercial media reflect the curiosity of the movie audience. In art, the image of the mental patient in the horror film is a good concentration of the common criticism of mankind in that era, which implies the aesthetic trend and mentality of the current general realistic logic. So, from at least one aspect, the study of mental patient image in horror film is especially important to reveal the cultural connotation and human nature expression. At present, the focus of the study on horror films is mainly focused on narrative, theme, audiovisual language, function and so on, but there is little research on its internal culture. This article attempts to analyze and expound the image of the mental patient in the horror film, from the history of the development of the horror film, the manifestation of the horror image of the mental patient, the reasons for its appearance, and combine the sociology, Psychology, Freud's theory of psychoanalysis and the early Foucault's study of the emergence and treatment of madness under rational repression are used as psychoanalysis. Ideological criticism and other methods to study the image of mental patients and their cultural connotations in horror films. The author hopes that through the study of the image of the psychopath in the horror film, the author tries to express certain social realistic problems and their significance, thus trying to make up for the deficiency in the academic field.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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