后现代镜像中的莎士比亚——以1996年版电影《罗密欧与朱丽叶》为例

发布时间：2018-06-20 09:43

本文选题：《罗密欧与朱丽叶》 + 莎士比亚　；参考：《四川戏剧》2017年11期

【摘要】：随着影像技术的兴起与发展,莎士比亚戏剧开始经由荧幕展示给现代社会的观众。从20世纪70年代起,影像艺术开始进入对后现代主义风格的探索,20世纪90年代兴起了莎士比亚戏剧后现代电影改编潮,曾受到争议和批判,却在艺术重组后衍生出新的意义。本文通过分析1996年版电影《罗密欧与朱丽叶》,试探讨莎士比亚戏剧后现代电影改编中大众文化传播的意义与影响。
[Abstract]:With the rise and development of image technology, Shakespeare's plays began to be displayed to the audience of modern society through the screen. From the 1970s, the image art began to explore the post-modernism style. In the 1990s, Shakespeare's post-modern film adaptation tide rose, which had been controversial and criticized, but had a new meaning after the artistic reorganization. By analyzing the 1996 edition of Romeo and Juliet, this paper tries to explore the significance and influence of mass cultural communication in Shakespeare's postmodern film adaptation.
【作者单位】：四川大学文学与新闻学院;
【分类号】：J905

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