数字影像的“有我之境”研究

发布时间：2018-06-20 22:47

本文选题：数字影像 + 有我之境　；参考：《山东师范大学》2013年硕士论文

【摘要】：在高速发展的信息时代，社会生活的快节奏与大变革使得人们愈发倾向于寻求一种及时便捷的信息获取方式，以便获得“安身立命”的心理满足。在这个背景下，数字影像因其直观可感的视觉特性与无所不能的技术特性成为人们感知世界、获取信息的重要途径。在商品经济的推动下，数字影像创作中的强刺激视觉奇观倾向愈发浓烈，对技术理性的过度推崇造成部分影像创作盲目追求大场面的绚丽特技，从而产生影像内涵空洞，艺术个性与情感缺失、民族韵味匮乏等问题，不利于数字影像创作与审美发展。 “有我之境”是中国独特的意境结构形式，最初见于诗词文化之中，具有浓厚的民族美学意味。它崇尚主体个性情感的真实表达，并主张在形式感构建的同时，融入创作者的主观意兴，从而赋予作品鲜明的主体色彩和风格特点，这种创作理念不失为一个增强影像内涵、提高文化品位、彰显艺术个性的有效手段。本文拟将“有我之境”的艺术理念引入数字影像的创作之中，将其与数字技术的无限实现特性结合起来，探求一条不同寻常的、极具艺术性与个性的“神似”奇观构建之路。本文的第一章绪论中对论题的研究背景、研究目的、研究综述和研究方法等问题做了详细的介绍，并阐明了研究的难点与创新点。本文的第二章中对数字影像做了概述式的介绍，界定了数字影像的基本内涵与研究范围，比较分析了当前主流的数字制作技术，总结出当前数字影像发展中存在的高度真实的视觉奇观、传统艺术的数字复现和高度主观的自由构建三个倾向，并从中得出当前数字影像创作中存在的问题和发展的机遇，从而提出本文希望着力解决的问题——提升数字影像创作中的民族人文内涵和艺术个性情感。本文的第三章中对“有我之境”进行了溯源式的分析，简要介绍了诗词文化和中国古典绘画中的“有我之境”与“无我之境”，并从二者的对比分析中引申出“有我之境”的独特之处，，从而总结出“有我之境”的视觉艺术特点：神似的奇观、个性的情感和引导体验的意境。通过对“有我之境”的视觉美学分析，发现“有我之境”作为一种艺术理念能够指导数字影像的创作，而数字影像的“人本性”和“技术工具性”与“有我之境”的意境结构形式存在着契合之处，为之后的创作分析提供了可能性与可行性。本文的第四章主要论述了“有我之境”指导下的数字影像创作，从创作主体、创作文本和艺术手法三个方面入手，阐述了创作中的实际问题。对“有我之境”的创作主体而言，“体道悟道”是其“气质”根源，“不思而至”是其气质性体验的触发，“以神驭形”则是其气质性体验的外化表达。在创作文本上，可以依据笔墨意趣的写意精神、空纳万境的虚实关系和抽象简约的天成之韵进行“有我之境”的意境构建。同时，本章还从实际操作角度阐述了上述艺术手法的数字软件实现，完成理论研究与实际操作的有机融合。 “有我之境”是“个性之境”，也是“艺术之境”，它的独特魅力并不因数字技术的参与而有所衰减，反而在数字软件多维无限的推动下衍生出极富时代意义的新蕴含。而无处不在的数字影像创作在“有我之境”艺术理念的指导之下，能够有效提升影像作品的艺术个性和情感蕴含，必将打造出更多富有民族韵味和人文内涵的艺术精品。
[Abstract]:In the information age of high-speed development, the fast pace and great change of social life have made people more and more inclined to seek a timely and convenient way of obtaining information, so as to get the psychological satisfaction of "standing out". In this context, digital images are perceived by their visual and omnipotent technical characteristics. The world, an important way to obtain information. Under the impetus of the commodity economy, the strong stimulus of the visual curiosity in the creation of digital image is becoming more and more strong. The excessive esteem for the technical rationality causes some magnificent stunt to blindly pursue the large field of image creation, thus producing the empty hole of the image connotation, the lack of artistic personality and emotion, the lack of national charm and so on. The problem is not conducive to digital image creation and aesthetic development.
"My territory" is a unique form of artistic conception in China, which is first seen in the poetry culture and has a strong national aesthetic meaning. It advocates the true expression of the subjective emotion of the main body, and advocates the creation of the subjective mood of the creator in the form of the sense of form, thus endowing the works with the distinctive main color and style characteristics, this kind of creation. The idea is an effective means to enhance the connotation of the image, improve the cultural taste and highlight the artistic personality. This article intends to introduce the artistic concept of "my realm" into the creation of digital image, and combine it with the infinite realization of digital technology to seek a "divine" strange, unusual, artistic and personality. The way to view the construction.
The research on the topic background, the first chapter is introduction, research purpose, research review and research methods are described in detail, and expounds the difficulties and innovations of the research.
The second chapter of this paper gives a brief introduction to digital image, defines the basic connotation and research scope of digital image, compares and analyzes the current mainstream digital production technology, summarizes the high true visual spectacle in the development of the current digital image, the digital reproduction of traditional art and the high subjective free construction of three. The problems and development tendency, and the existing digital image creation from the opportunity, we proposed to efforts to solve the problem of improve the digital image in the creation of the national cultural connotation and artistic personality emotion.
The third chapter of this article makes an analysis of the origin of "my realm", and briefly introduces the poetry culture and the "my realm" and "the realm of no me" in the Chinese classical painting, and from the contrast and analysis of the two, the unique features of "I have my realm" are extended, thus the visual artistic features of "my realm" are summed up. By the visual aesthetic analysis of "my realm", it is found that "I am" as an artistic concept can guide the creation of digital images, and the "human nature" and "technical instrumentality" of digital images correspond to the artistic conception structure of "I am". It provides possibility and feasibility for subsequent creative analysis.
The fourth chapter of this article mainly discusses the creation of digital image under the guidance of "my territory". From the three aspects of the creation subject, the creation text and the artistic technique, this paper expounds the practical problems in the creation. For the creation subject of "my realm", "the way of understanding the Tao" is the root of his "temperament" and "not to think" is its temperament. The trigger of experience, "taking the shape of God" is the external expression of his temperament experience. In the creative text, it can be based on the freehand spirit of the interest of the pen and ink, the empty and real relations in the empty space and the abstract and simple rhyme of heaven, and the artistic conception of the artistic technique is expounded in this chapter from the practical point of view. The realization of digital software completes the organic integration of theoretical research and practical operation.
"The realm of me" is "the realm of individuality" and "the artistic conception". Its unique charm is not attenuated by the participation of digital technology. On the contrary, it derives the new implication of the epochal significance under the infinite multidimensional impetus of digital software. It can effectively enhance the artistic personality and emotional implication of image works, and will surely create more artistic works of national charm and humanistic connotation.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;J916

【参考文献】