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新世纪以来和谐美学视域下我国家庭伦理剧批评的研究

发布时间:2018-06-22 00:07

  本文选题:和谐美学 + 家庭伦理剧批评 ; 参考:《东北师范大学》2014年硕士论文


【摘要】:1990年《渴望》拉开了我国家庭伦理剧的序幕,,创造了万人空巷的收视奇观,今天家庭伦理剧俨然已成为我国电视剧市场的主力军,并在不断的创造着一轮又一轮的收视奇观,到今天家庭伦理剧的发展已经跨越了二十年的时间,更是涌现出了一大批既叫好又叫座的德艺双馨的优秀家庭伦理电视剧。而相较于电视剧创作的迅速发展,与之相生相伴的家庭伦理电视剧批评理论的发展却相对滞后。尤其是在与当下社会文化发展相适应的的批评理论更是少之又少。“和谐文化”作为我国传统文化的一个重要组成部分,党的十六届四中全会提出了构建社会主义和谐社会的伟大任务之后,和谐美学又得到全社会的高度关注。在电视剧批评中也出现了一批受和谐思潮影响的家庭伦理电视剧的批评文本,但都以零零散散的形式存在,相互之间并未建立联系,形成体系。本文希冀建构出新世纪以来受“和谐”思潮影响的家庭伦理剧的批评模型。通过对新世纪以来所有“重要”家庭伦理剧批评文本的筛选和梳理,希望能够在以和谐美学为代表的传统伦理观念与和谐美学影响下家庭伦理剧批评文本之间建立双向的互动关系。不仅仅是批评文本受和谐美学的影响,还可以试图让符合和谐美学的批评文本影响传统文化,真正做到“文化化人艺术养心”。
[Abstract]:In 1990, desire opened the prelude of family ethics drama in our country, and created the spectacle of watching in all walks of life. Today, family ethics drama has become the main force in the TV drama market of our country, and it is constantly creating round after round of viewing wonders. The development of family ethics drama has spanned over twenty years, and a large number of excellent family ethics TV dramas, which are both good and popular, have emerged. Compared with the rapid development of TV drama creation, the family ethics TV drama criticism theory is relatively lagging behind. Especially in the current social and cultural development adapted to the criticism theory is rare. "harmonious culture" as an important part of traditional culture of our country, after the fourth Plenary session of the 16th CPC Central Committee put forward the great task of constructing socialist harmonious society, harmonious aesthetics was highly concerned by the whole society. In the criticism of TV series, there are a number of critical texts of family ethics TV series influenced by the harmonious trend of thought, but they all exist in a scattered form, and they have not established a relationship between each other and formed a system. This paper hopes to construct a critical model of family ethics drama influenced by "harmonious" trend of thought in the new century. Through the screening and combing of the critical texts of all the "important" family ethics dramas since the new century, The author hopes to establish a two-way interactive relationship between the traditional ethical concepts represented by harmonious aesthetics and the critical texts of family ethics drama under the influence of harmonious aesthetics. It is not only that the critical text is influenced by harmonious aesthetics, but also that the critical text that accords with harmonious aesthetics can influence the traditional culture and achieve the goal of "culturalization of human art".
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

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