浅论动画制作中不同材质的审美效应

发布时间：2018-06-23 01:34

本文选题：动画 + 材质　；参考：《大连工业大学》2014年硕士论文

【摘要】：动画作为一种大众化艺术形式，从它诞生开始，娱乐性就成为了它的主要功能。动画艺术本身是一门综合艺术。同时动画也是一门技术。在动画制作中包含了很多的制作的环节，比如角色造型、比如动作设计、还有语言、美术设计和声音。在今天动画变成一项专门的职业，这就要求动画师不仅仅是动画师，同时还必须拥有画家，摄影家，音乐家，编剧作者，电影导演等综合的技能。动画家外表也许其貌不扬，甚至内敛含蓄，但是他们一旦做起动画来就成了创造之神。在动画师的操作下，能够制造出各种各样奇思妙想的，形态百千的场景和角色。动画制作的灵魂，，就在于人物性格的塑造以及通篇的情感表达，以及动画视觉的直观感受。然而人的第一感知，还是眼睛，所以如何能让眼睛在第一时间内被动画作品所吸引从而引起观者的艺术感受，这就是所谓的审美效应。动画片这种艺术形式，它能满足不同年龄层的人的需要，同样动画片也并不只给是小朋友看的，同样也适合给成年人看甚至是给老年人看的。只要制作者想做，无论哪种类型的人物和场景都是可以真实实现的。动画作为故事的一种载体。制作者把自己想表达的东西通过动画这种形式传达给观众，能使观者再看动画的时候能引起一些共鸣和感动这就是动画的意义。动画作为电影的一种特殊类型，与常规电影的不同点在于动画的拍摄对象本身不是有生命的物体，而是用操行艺术手段制作的假定性形象。即美术范畴的形象。萨杜尔对动画片的解释是：以面平面上的图画，或者立体的偶以及物品作为拍摄对象的电影。但是无论是哪种类型的动画叙述形式，都要有非常贴合的表现形式来突出主题。那么如何选用一种适合故事题材的材质作为动画的媒介形式，就显得尤为重要得多。选择一种合适的材质，在视觉和感觉甚至是想象的触觉上都能够最直接的辅助一部动画片去表达它的文化涵义和精神内涵，能够深刻地刻画情感和人性。因为材质本身就有其自身固有的本体属性，通过对这些属性的采集与吸收，把这些属性的优势利用到动画片的制作中来，便是这些属性所带来的直观审美效应。
[Abstract]:Animation as a popular art form, from its birth, entertainment has become its main function. Animation art itself is a comprehensive art. Animation is also a technology. Animation includes a lot of production links, such as role modeling, such as action design, as well as language, art design and sound. Today, animation becomes a specialized profession, which requires animators not only to be animators, but also to have the combined skills of painters, photographers, musicians, writers, film directors and so on. Animators may be ugly, even reserved, but once they animate, they become the gods of creation. Under the animator's operation, can create a variety of fantastic, various forms of scenes and characters. The soul of animation is the creation of character, the emotional expression of the whole text, and the visual intuitionistic feeling of animation. However, the first perception of the human being is the eye, so how can the eye be attracted by the animation in the first time to arouse the artistic feeling of the viewer? this is the so-called aesthetic effect. Animation this art form, it can meet the needs of people of different ages, the same animation is not only for children, but also for adults and even for the elderly. As long as the producer wants to do it, either type of character or scene can be realized. Animation as a carrier of the story. The producer conveys what he wants to express to the audience through the form of animation, which can cause some resonance and emotion when the viewer sees the animation again. This is the meaning of animation. Animation, as a special type of film, is different from conventional film in that the object of animation is not a living object, but a hypothetical image made by the means of practicing art. The image of art category. Sadr's interpretation of an animated film is a film that takes pictures on the plane, or stereoscopic figures and objects. However, no matter what kind of animation narrative form, there must be a very appropriate form of expression to highlight the theme. So how to choose a material suitable for the story as the media form of animation, it is particularly important. Choosing a suitable material can directly assist an animated film to express its cultural and spiritual connotations and depict emotion and human nature in the visual, sensory and even imaginary tactile sense. Because the material itself has its own inherent ontology attributes, through the collection and absorption of these attributes, the advantage of these attributes will be used in the production of animation, which is the intuitive aesthetic effect brought by these attributes.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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