论当代国产青春电影的现状、困顿及对策

发布时间：2018-06-23 10:04

本文选题：国产青春电影 + 当代　；参考：《河北大学》2014年硕士论文

【摘要】：在网络文化主导人类灵魂的时代，用“多元”一词来形容这个时代是十分贴切的，这个时代的电影亦是如此斑斓，，本文将以国产电影的一个小分支青春电影为例对国产青春电影的篇目进行整理、分类和界定。从而分析出我国当代国产青春电影的可持续发展的优势和方向，同时也抨击当下的国产青春电影中缺乏的人文关怀以及无病呻吟价值观偏离的错误方向。为当代国产青春电影的发展探索出一条中国特色的道路，为广大电影观众呼吁创作他们所真正追求的青春记忆。对于这个课题的研究书籍虽不多，但是博士硕士学士论文却很丰富，可见青春电影的主要受众依旧是中青年。以学术论文为主的研究方式并不利于理论观点的界定和形成，对于青春电影的界定，我国青春电影史的梳理还很杂乱，故本选题的研究现状虽吸引人但并不乐观，希望本文通过对相关影片的整理和我国青春电影历史的梳理能够有助于国产青春电影今后的研究，有助于青春电影爱好者对于国产青春电影的进一步系统的理解和观赏。本文通过对青春电影和国产青春电影的界定分析了我国青春电影发展的四个阶段，从而讲述到本文的主要论证对象当代国产青春电影。对于当代国产青春电影的分析我先通过下定义的方式界定了这一概念，又按内容和视听语言的不同分类标准对其进行了分类归纳。通过归纳总结我得出了当代国产青春电影的困顿以及一些解决的建议和方案，通过最近上映的两部影片《白日焰火》和《北京爱情故事》的分析得出发展当代国产青春电影的途径。本文的创新在于对国产青春电影的统计和以历史的方式进行梳理；其次是把国产的青春电影分类进行比较；这样在进行了纵向和横向的比较之下才能总结出我国当代国产青春电影的优劣，从而探讨我国当代国产青春电影繁华表象下的困顿该如何解决，我们是该怎样发展具有中国特色的青春电影。
[Abstract]:In the era when the Internet culture dominated the human soul, it was very appropriate to use the word "plural" to describe this era, and the films of this era were also so colorful. This article will take a small branch of the domestic film youth film as an example to sort out, classify and define the domestic youth film. This paper analyzes the advantages and directions of the sustainable development of contemporary Chinese youth movies, and also criticizes the lack of humanistic care and the wrong direction of the values deviation in the present domestic youth films. To explore a path with Chinese characteristics for the development of contemporary domestic youth films, and to appeal to the majority of film audiences to create their true pursuit of youth memory. Although there are not many books on this subject, the doctoral thesis is very rich, so the main audience of youth movies is still young and young people. The research method based on academic papers is not conducive to the definition and formation of theoretical viewpoints. For the definition of youth film, the history of youth film in China is still very messy, so the present research situation of this topic is attractive but not optimistic. It is hoped that this paper will be helpful to the future study of domestic youth films and to the further systematic understanding and appreciation of domestic youth films by sorting out the relevant films and combing the history of youth films in China. This paper analyzes the four stages of the development of youth films in China through the definition of youth films and domestic youth films, and then tells the main object of this paper: contemporary domestic youth films. For the analysis of contemporary domestic youth movies I first define this concept by way of definition and then classify it according to different classification standards of content and audiovisual language. Through summing up, I got the difficulties of contemporary domestic youth movies and some suggestions and plans to solve them. Based on the analysis of two recent films, fireworks in the daytime and Love Story in Beijing, the ways to develop contemporary domestic youth films are obtained. The innovation of this paper lies in statistics of domestic youth films and combing them in a historical way, secondly, the comparison of the classification of domestic youth films; In this way, under the vertical and horizontal comparison, we can summarize the merits and demerits of our country's contemporary domestic youth films, and thus explore how to solve the difficulties under the appearance of prosperity of our contemporary domestic youth films. How should we develop youth movies with Chinese characteristics?
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J943

【参考文献】