新都市电影中的女性形象研究

发布时间：2018-06-23 11:52

本文选题：新都市电影 + 女性形象　；参考：《内蒙古师范大学》2017年硕士论文

【摘要】：纵观中国百年电影史,女性总以自身鲜明的特征出现在影片中,她们将自身的秀丽和柔情投射到银幕上,成为中国电影独具魅力的银幕形象。当我们回首这些女性形象时,最先涌入脑海的就是都市题材电影中的女性形象。随着时代的发展,女性地位的提高,都市影片中的女性形象也不断的发生变化。尤其是近几年出现的新都市电影中,女性形象的塑造更是千姿百态、性格迥异,这些女性形象冲破传统观念的樊篱,将当下都市女性身上或独立坚强,或呆萌可爱,或豪爽热情的众多性格特征展现出来。本文主要分析和总结新都市电影中的女性形象,并探讨其中所体现的女性意识的新内涵,主要从以下三个方面进行论述:第一,回顾和概括中国都市电影中女性形象的发展轨迹,总结各个不同时期具有代表性的女性形象的主要类型。第二,对新都市电影的概念及特征进行概述,并对2010年以来的新都市电影中的女性形象进行梳理和归类,将其中出现的女性形象归为五类——“女汉子”、“拜金女”、“傻白甜”、“作女”、“剩女”,阐述这些女性形象形成的原因及特点。在此基础上,分析新都市电影中女性意识的新内涵,包括:对待爱情与婚姻的新体认、同性之恋、强化性别特征、解构男性权威及话语权的掌控等六个方面。第三,分析新都市电影中女性形象的建构方式。这一部分首先探讨的是在社会和家庭的二维空间中对女性形象的建构,尽管女性地位得到改善,但女性在家庭和社会中所扮演的角色远远无法超越男性。其次,阐述了新都市电影主要通过女性的精神状态和情感世界来建构女性形象的方式。再次,分析女性导演对女性形象的独特建构,即第一人称的叙事视角和女性旁白的大量使用。新都市电影中出现的不同于以往的女性形象及其所反映的女性意识正是当下女性在社会和家庭生活中的真实写照,为今后电影中女性形象的塑造以及女性意识的表达提供了新的思路。
[Abstract]:Throughout the history of 100 years of Chinese film, women always appear in the film with their own distinctive characteristics. They project their beauty and tenderness onto the screen and become the unique screen image of Chinese film. When we look back at the images of women, the first thing that comes to mind is the images of women in urban movies. With the development of the times and the improvement of the status of women, the image of women in urban films is constantly changing. In particular, in the new urban movies that have emerged in recent years, the portrayal of women's images is even more varied and different. These women's images break through the barriers of traditional concepts and make women in the present urban areas either independent, strong, or adorable. Or a lot of personality traits that are bold and passionate. This article mainly analyzes and summarizes the female image in the new urban film, and probes into the new connotation of the female consciousness embodied in it, mainly from the following three aspects: first, This paper reviews and summarizes the development track of female images in Chinese urban films and summarizes the main types of representative female images in different periods. Secondly, it summarizes the concept and characteristics of the new urban film, combs and classifies the female images in the new urban films since 2010, classifies the female images into five categories-"female men" and "gold worshippers". "silly white sweet", "as a woman", "leftover women", explain the reasons and characteristics of the formation of these female images. On this basis, this paper analyzes the new connotation of female consciousness in the new urban movies, including six aspects: the new recognition of love and marriage, the love of the same sex, the strengthening of gender characteristics, the deconstruction of male authority and the control of the right to speak. Third, analyze the way of constructing the female image in the new city film. This part first discusses the construction of female image in the two-dimensional space of society and family. Although the status of women has been improved, the role played by women in the family and society is far from that of men. Secondly, it expounds the way of constructing female image mainly through women's mental state and emotional world. Thirdly, it analyzes the unique construction of female images by female directors, that is, the first person narrative perspective and the extensive use of female narration. The different female images and the female consciousness reflected in the new urban movies are the true portrayal of women in the social and family life. It provides a new idea for the shaping of female image and the expression of female consciousness in the future film.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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