故事本事的非线性叙事结构

发布时间：2018-06-24 03:26

本文选题：非线性叙事结构 + 共时性　；参考：《山西师范大学》2014年硕士论文

【摘要】：非线性叙事结构的电影为何能使观影者在时空交错的叙事方式中得到清晰、完整的故事轴线？非线性叙事结构又是如何完成故事本文构思的？笔者从电影创作的角度出发，以将“线性素材”（原始“故事本事”）转化为“非线性叙事结构”的电影本文为最终目的，将影片的创作范畴依据“故事本事”的时间属性分为“共时性”与“历时性”两大板块，在每个板块中分别以时间、空间、视角对非线性叙事结构影片进行进一步细化分类，并配以图、表及实例进行阐述，对较新的典型影片进行解构，还原其原始“故事本事”的线性发展状态，最后以创作的角度对解构后的素材进行重组，恢复故事本文状态，以符合线性放映时间，在此过程中最终得出非线性叙事结构的创作流程及创作技巧。本文的研究成果在一定程度上能够成为非线性叙事结构电影创作的基本工具。正文部分共分为引言、正文两个部分。第1章为引言，介绍选题的目的和意义、国内外研究动态以及本论文的研究内容、方法和创新点。正文是第2章至第5章，以总分结构阐述并讨论了从“故事本事”到故事本文的过程，经历了认识非线性叙事结构、分析“故事本事”属性、选取结构最终对各个结构的叙事技巧进行细致的阐述。其中第2节介绍非线性叙事结构的源起及相关概念，探究非线性叙事结构的本质思想、结构标准和结构特点，第3节介绍非线性叙事结构筹备初期的构思创作的基本流程，第4节、第5节是本文的重点，，分别介绍“共时性”、“历时性”区域故事素材的非线性叙事结构技巧与具体分类，与传统的八段式分类的不同之处在于，本文的分类目的针对于辅助创作者的创作，而非作用于电影评论。因此，本文的分类形式细化而丰富，本文的基本分类结构至少有十六种，而在此基础之上的叠加运用类型还没有参与到分类结果之中。本文以实例及图表对结构过程进行细致的阐述，研究结果符合电影创作者与电影爱好者在非线性叙事结构影片部分的创作需要。
[Abstract]:Why can the film with nonlinear narrative structure make the viewer get a clear and complete story axis in the interlaced narrative mode of time and space? How is the nonlinear narrative structure completed in this paper? From the angle of film creation, the author aims at transforming "linear material" (original "story ability") into "nonlinear narrative structure". According to the time attribute of "story ability", the creative category of the film is divided into "synchronic" and "diachronic". In each plate, the nonlinear narrative structure films are further classified by time, space and visual angle. With illustrations of plans, tables and examples, deconstruction of new typical films, restoration of the linear development state of the original "story ability", reorganization of the deconstructed materials from the perspective of creation, restoration of the state of the story in this article, In line with the linear projection time, the creative process and creative skills of nonlinear narrative structure are finally obtained. To a certain extent, the research results of this paper can become the basic tool of nonlinear narrative structure film creation. The text is divided into two parts: introduction and text. Chapter 1 is the introduction, which introduces the purpose and significance of the topic, the research trends at home and abroad as well as the contents, methods and innovations of this paper. The text is from Chapter 2 to Chapter 5. The paper expounds and discusses the process from "story ability" to "story" in the structure of total score, experiences the understanding of nonlinear narrative structure, and analyzes the attribute of "story ability". Finally, select the structure to elaborate the narrative skills of each structure. Section 2 introduces the origin and related concepts of nonlinear narrative structure, explores the essential ideas, structural standards and structural characteristics of nonlinear narrative structure. Section 3 introduces the basic process of conception creation in the initial stage of preparation of nonlinear narrative structure. Section 4, section 5 is the focus of this paper, which introduces the techniques of nonlinear narrative structure and specific classification of "synchronic" and "diachronic" regional story materials, which are different from the traditional eight-paragraph classification. The purpose of this paper is to assist the creator's creation, but not to the movie review. Therefore, the classification form of this paper is detailed and rich. There are at least 16 basic classification structures in this paper, but the superposition application types on this basis have not participated in the classification results. In this paper, the structural process is elaborated with examples and charts. The results of the study are in line with the creative needs of film creators and film lovers in the part of nonlinear narrative structure films.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J904

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