美国电影中的中国形象

发布时间：2018-06-25 10:45

本文选题：美国电影 + 好莱坞　；参考：《上海交通大学》2013年硕士论文

【摘要】：进入21世纪后，跨文化传播在全球化浪潮的冲击下，日益频繁。电影，作为国际性的艺术语言，已经渐渐成为传递信息和情感、促进国际间文化交流和输出民族文化有效的载体之一。电影对于一个国家形象的塑造有着重要的作用。二十世纪90年代至今，伴随着中国国力的增强与国际文化交流的增多，那些由于政治纷争、种族或文化歧视而衍生的定型化的偏见似乎正在渐渐逆转。好莱坞的中国风持续升温，中国元素正成为好莱坞电影中不可缺少的组成，中国面孔开始在好莱坞银幕上占据一席之地。中国的国家形象伴随着银幕形象的改善而转变，西方观众对于中国的想象也随之改善。然而深究好莱坞电影中，不管是中国的正面形象还是负面形象，以商业利润驱动的好莱坞电影始终围绕美国的自我形象这个中心，始终为突出和表现美国自身的形象而服务。在走向多元化的世界文化景观中，扭曲的国家形象需要在新的异邦形象的生产消费交流中逐渐加以纠正，不同的民族与文化应尝试“互为主观”以破除成见。因此，中国的电影人要有清醒的认识，与其他国家、民族、社会和文化进行建设性的交流，努力丰富自我并积极反省自我，把本土化和国际化相结合，，塑造多元化的银幕形象。美国电影里的中国形象，作为一个有待拓展的研究课题，为中国与美国、东方与西方之间的跨文化交往提供了丰富的例子，有助于我们反思跨国族“文化利用与文化类同"过程中的盲点。
[Abstract]:After entering the 21 st century, cross-cultural communication is increasingly frequent under the impact of globalization. Film, as an international artistic language, has gradually become one of the effective carriers for transmitting information and emotion, promoting international cultural exchange and exporting national culture. Film plays an important role in shaping the image of a country. Since the 1990s, with the increase of China's national strength and international cultural exchanges, the stereotyped prejudices derived from political disputes, racial or cultural discrimination seem to be gradually reversing. Hollywood's Chinese style continues to heat up, Chinese elements are becoming an indispensable part of Hollywood films, and Chinese faces are beginning to occupy a place on the Hollywood screen. China's national image has changed with the improvement of screen image, and the Western audience's imagination of China has also improved. However, in Hollywood films, whether China's positive image or negative image, the commercial profit-driven Hollywood film has always centered around the self-image of the United States, and has always served to highlight and show the image of the United States itself. In the diversified world cultural landscape, the distorted national image needs to be gradually corrected in the production and consumption exchange of the new foreign image, and different nations and cultures should try to "be subjective" in order to break down the preconceptions. Therefore, Chinese filmmakers should have a clear understanding, engage in constructive communication with other countries, nationalities, society and culture, strive to enrich themselves and actively reflect on themselves, combine localization with internationalization, and create a pluralistic screen image. The image of China in American films, as a research topic to be expanded, provides rich examples of cross-cultural exchanges between China and the United States, between the East and the West. It is helpful for us to reflect the blind spot in the process of cultural utilization and cultural similarity.
【学位授予单位】：上海交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;G206

【参考文献】