革命历史题材文学作品人物形象的影视改编研究

发布时间：2018-06-26 01:44

本文选题：革命历史题材文学作品 + 人物形象　；参考：《河南师范大学》2013年硕士论文

【摘要】：文学作品和影视剧在叙事方面有着“天生”的美学互通性，由此奠定了文学作品的影视改编艺术发生学基础。由文学作品改编的影视作品，也就是改编者从当代的视角对已成为“历史”的文学作品进行一次全新的“演绎”，由此完成的影视作品或多或少都会留下改编时代的印记，同时也体现出当下的时代精神和现代人的审美情趣。革命历史题材文学作品是当代意识形态生产的一个主要领域和主要收获，顺理成章的受到了影视剧改编者的青睐。本论文以当代革命历史题材文学作品改编的影视剧为研究对象，重点对这类题材影视作品中的人物形象和塑造模式及其演变进行梳理，总结其人物塑造特征和基本方式，探究人物形象塑造模式嬗变的深层文化含义，并对当代革命历史题材文学作品中人物形象影视改编所存在的问题进行反思，以期对未来同类题材人物形象塑造的影视改编提供有益的借鉴。通过对革命历史题材文学作品影视改编的梳理可以发现，革命历史题材文学作品的影视改编几乎都集中出现在20世纪80—90年代，原因在于：第一，处在跨世纪的特定历史时期，人们滋生出的怀旧情绪；同时，社会的转型期也诱发了人们对往昔岁月的怀念，为革命历史题材文学作品的影视改编提供了历史语境及生存的土壤。第二，革命历史题材文学作品所表达的对共产主义的向往和坚定的信念，，切合了国家文化复兴潜在意识形态的需要以及市场的召唤。在革命历史题材文学作品的影视改编中，最重要的是要做到人物形象真实可信，具体到文本中，既突出人物的个性化又不能隐藏人物生活中的真实性。在人物形象塑造原则上，开始出现表现“后革命”语境与“躲避崇高”的娱乐化姿态。革命叙事也经历了一个不断进行命名与区分的历程，在感性和理性的矛盾中追求对立的融合。最后是对革命历史题材文学作品人物形象影视改编的思考和总结，艺术来源于生活，但是毕竟要高于生活，所以在革命历史题材影视人物塑造上，在创作革命人物时，既要避免高大全的扁形人物形象，也要适当的对英雄进行美化，力求达到真实的艺术感染力。
[Abstract]:Literature works and movies and TV dramas have a "natural" aesthetic intercommunion in narrative aspect, thus laying the foundation of film and television adaptation art genesis of literary works. The film and television works adapted from the literary works, that is, the adapters perform a new "deduction" on the literary works that have become "history" from a contemporary perspective, and the film and television works thus completed will more or less leave the imprint of the adapted times. At the same time, it also reflects the spirit of the times and the aesthetic interest of modern people. Revolutionary historical literary works is a main field and main harvest of contemporary ideology production, which is naturally favored by film and TV drama editors. This thesis takes the film and TV drama adapted from the contemporary revolutionary historical literature as the research object, mainly combs the character image and the moulding mode and their evolution in the film and television works of this kind of subject matter, summarizes its character shaping characteristic and the basic way. This paper probes into the profound cultural meaning of the evolution of the mode of shaping the characters' image, and reflects on the problems existing in the adaptation of the characters' images and films in the literary works of contemporary revolutionary historical themes. In order to provide a useful reference for the future of the same theme characters image-shaping film and television adaptation. Through combing the adaptation of revolutionary historical literature works, we can find that almost all of the film and television adaptations of revolutionary historical literature works appeared in the 80-90 's of the 20th century. The reasons are as follows: first, In the special historical period of the cross-century, people have developed nostalgia. At the same time, the period of social transformation has also evoked people's nostalgia for the past years. It provides the historical context and survival soil for the film and television adaptation of revolutionary historical literary works. Secondly, the yearning for communism and the firm belief expressed in the revolutionary historical literature accord with the need of the latent ideology of national cultural rejuvenation and the call of the market. In the film and television adaptation of revolutionary historical literary works, the most important thing is to make the characters true and credible. In the text, it can not hide the authenticity of the characters' life, but also highlight the personalization of the characters. In the principle of persona-shaping, the postrevolutionary context and the entertainment posture of "avoiding sublimity" began to appear. Revolutionary narration has also experienced a process of naming and distinguishing constantly, pursuing opposites in the contradiction between sensibility and reason. Finally, it is the reflection and summary of the adaptation of the figures, images and films in the literary works of revolutionary history. Art originates from life, but after all, it is higher than life. Therefore, when it comes to the creation of revolutionary figures in the film and television of revolutionary historical subjects, Not only to avoid the tall and complete flat figure image, but also to properly beautify the hero, and strive to achieve real artistic appeal.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I206.7;J905

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