从“有机身体”到“无器官身体”——论《西藏天空》中的“身体-影像”

发布时间：2018-06-26 06:26

本文选题：特写镜头 + 德勒兹　；参考：《当代电影》2017年03期

【摘要】：正一、一部讲述身体与用身体叙事的电影“身体电影中人物不应该来自故事或情节而是人物分泌故事。德勒兹建议要从身体的‘态度’中提炼‘姿态’,因为‘姿态’就是某种戏剧化或情节化。”(1)好的电影不仅仅是通过人物表演来演绎故事,更主要的是通过身体影像展现变化多端的身体姿态。所以,一部佳作应该尝试用身体态度的影像逻辑取代传统故事情节的逻辑,因为身体影像的逻辑本身就是戏剧性的演绎。《西藏天空》开场便从一组脚的特写镜头开始,
[Abstract]:First, a film about the body and its narration, "body movies should not come from the story or plot, but the characters secrete stories." Deleuze suggests refining the posture from the 'attitude' of the body, because 'posture' is some sort of drama or plot. "(1) A good movie is not just about acting as a character. The more important thing is to show the changeable body posture through the body image. Therefore, a good work should try to replace the logic of the traditional storyline with the image logic of the body attitude, because the logic of the body image itself is a dramatic deduction.
【作者单位】：北海道大学;
【分类号】：J905

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