《木乃伊》系列电影的文化解读

发布时间：2018-06-27 01:21

本文选题：木乃伊 + 东方主义　；参考：《重庆大学》2014年硕士论文

【摘要】：《木乃伊》系列电影是一种结合了历史、文化、真实事件甚至神话传说加以合理想象综合绘制而成，并融合了电影制作与拍摄者本民族人物情感及价值观的产物。早在该系列的第一部《木乃伊：盗墓迷城》横空出世时即在全球范围内引起了巨大轰动，以两亿三千万票房博得当年的票房头彩。分析该片受到欢迎的重要原因，，归根结底是对古代文明强烈的好奇心与探索欲，而电影恰好满足了这种每个人都是考古学家，都是发现者，开拓者的猎奇心理，也是典型的美国精神的体现，间接说明了美国‘霸权’地位不可动摇，承载着其巨大的文化野心。论文将以解读电影中虚幻与真实的形式探讨文化与电影的关系，尤其是西方世界如何对待东方文化，以及影片中两种不同的文化如何交融，其利弊何在。《木乃伊》系列电影的文化解读的重大意义在于文化如何与商业（电影）相联系。魔幻电影作为商业电影的一种，将现实与想象有机地结合在一起，发展前景广阔，同时更是刺激了电脑技术的发展以及电影拍摄手法的革新。虽然此类电影在商业上获得了巨大的回报，却带给人不切实际之感，通俗地说叫做不接地气，因此对于其文化价值的研究就显得尤为迫切和重要，也是本文最大的创新之处。本文主要由三个部分组成。第一部分为绪论，主要阐述了选取《木乃伊》系列电影的文化解读作为研究对象的背景，简要分析了与本文选题相关领域的研究现状，并介绍本文的研究目的、研究内容及技术路线。第二部分是研究对象分析。结合《木乃伊》系列电影中东方文化元素，揭示好莱坞电影中所表现的西方视域下的东方情结，以及随着时代变化美国魔幻电影在创作上的新变化，由此分析美国为实现文化扩张而在电影表现手法上的中西杂糅的特点。第三部分为文化解读。以东方主义批判的视角作为切入点，深入分析电影创作者潜意识中浓浓的东方主义情结，指出东方文化元素堆砌出的只一个东方表象，深嵌其中的西方文化价值观才是电影的内核所在。并由此引出如此重构一个真实东方的问题，并力图探索消除东西方文化二元对立的路径。
[Abstract]:The Mummies series is a combination of history, culture, real events and even myths and legends, which are drawn by reasonable imagination and integrated with the emotion and values of the national characters of the filmmakers and filmmakers. As early as the first of the series, "Mummy: tomb Theft City" was born in the world caused a huge sensation, with the box office of 230 million to win that year's box office jackpot. The reason why the film is popular is, in the final analysis, the curiosity and the desire to explore the ancient civilization, and the film just satisfies the curiosity of every person who is an archaeologist, a discoverer and a pioneer. It is also a typical embodiment of American spirit, indirectly explaining the unshakable status of American hegemony and carrying its huge cultural ambition. The paper will explore the relationship between culture and film in the form of interpretation of fantasy and reality, especially how the western world treats the oriental culture, and how the two different cultures blend in the film. The significance of the cultural interpretation of the Mummy series lies in how culture relates to commerce. Magic film, as a kind of commercial film, combines reality with imagination organically, and has a bright future. At the same time, it also stimulates the development of computer technology and the innovation of film shooting techniques. Although this kind of film has obtained the huge reward in the commercial, but brings the person impractical feeling, popularly says is not approachable, therefore to its cultural value research appears to be particularly urgent and important, also is this article biggest innovation. This paper consists of three parts. The first part is the introduction, which mainly expounds the background of choosing the cultural interpretation of the Mummy series as the research object, briefly analyzes the research status in the related fields of this paper, and introduces the purpose of this paper. Research content and technical route. The second part is the research object analysis. Combined with the oriental cultural elements of the Mummy series, this paper reveals the oriental complex in the western horizon of Hollywood films, and the new changes in the creation of American magic films with the change of times. This paper analyzes the characteristics of the combination of Chinese and Western film expression techniques in order to achieve cultural expansion in the United States. The third part is cultural interpretation. From the angle of oriental criticism, this paper analyzes in depth the deep Orientalism complex in the film creators' subconscious mind, and points out that there is only one oriental appearance built up by oriental cultural elements. The western cultural values embedded in them are the core of the film. And it leads to the problem of reconstructing a real East, and tries to explore the path of eliminating the dualistic opposition between Eastern and Western cultures.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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