重访20世纪20年代:中国早期电影民族认同问题再思考

发布时间：2018-06-27 03:21

本文选题：民族认同 + 自我与他者　；参考：《当代电影》2017年01期

【摘要】：本文是对中国早期电影的民族认同问题的重新思考和阐述,是对笔者之前相关论述的补充。笔者曾提出民族认同是中国20世纪20年代电影发展的一个推动力,在此尝试从"民族自我与他者""中西选择""传统与现代"三个层面丰富和完善这一主题。本文的主要观点是中国20年代电影的兴起受到民族认同焦虑的深刻影响;中华民国作为现代国家的初立、1915年至1920年代初的中西文化论战是中国20年代电影的总体文化背景,中国文化自身定位的需求使中国早期电影具有明确的文化自觉,也是20年代初期中国电影评论较多关注中西问题的原因;同时,20年代的中国电影融合了传统内容与现代影像,以通俗娱乐的方式沟通了传统与现代,既包含传统价值,又提供现代性体验,奠定了中国电影类型片的基础。
[Abstract]:This paper is a rethinking and expounding of the national identity of the early Chinese films, and a supplement to the author's previous exposition. The author has proposed that national identity is a driving force for the development of Chinese films in the 1920s. In this paper, the author tries to enrich and perfect this theme from the three aspects of "national self and others", "Chinese and Western choices" and "tradition and modernity". The main point of this paper is that the rise of Chinese films in the 1920s is deeply influenced by the anxiety of national identity, and the controversy between Chinese and Western cultures from 1915 to the early 1920s is the overall cultural background of Chinese films in the 1920s. The demand for the orientation of Chinese culture makes the early Chinese films have a clear cultural consciousness, which is also the reason why Chinese film reviews paid more attention to the Chinese and Western issues in the early 1920s, and at the same time, the Chinese films of the 1920s combined the traditional content with the modern images. In the form of popular entertainment, it communicates tradition and modernity, which not only includes traditional value, but also provides modern experience, which lays the foundation of Chinese film genre.
【作者单位】：中国艺术研究院影视所;
【分类号】：J909.2

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