《番石榴熟了》:越南本土电影身份记忆

发布时间：2018-06-29 03:35

  本文选题：越南社会主义 + 阶级图景　； 参考：《电影文学》2017年17期

【摘要】：与跨族裔导演陈英雄的电影作品不同,越南本土导演邓一明的影像书写并未夹带任何杂质性的"后殖民"凝视,其镜语中所关注和呈现的只有那纯粹的、贴近越南质朴现实的民风、历史和现状,潜在勾勒着20世纪70年代至80年代前后越南经济体制改革间的社会变迁。本文主要以邓一明代表作《番石榴熟了》为例,通过文本之内的视听叙事解读、结合文本之外的文化症候分析,解码邓一明本土影像叙事深层关于家国身份与文化记忆议题的触碰。
[Abstract]:Unlike the films of cross-ethnic director Chan Ho-hsiung, Vietnamese native director Deng Yiming's video writing does not contain any impurity "post-colonial" gaze. What his mirror language focuses on and presents is the pure. The folk style, history and present situation, which are close to the plain reality of Vietnam, may outline the social changes between the economic system reform of Vietnam from the 1970s to the 1980s. This paper takes Deng Yiming's masterpiece, "ripe guava", as an example, through the audio-visual narrative interpretation within the text, combined with the analysis of the cultural symptoms outside the text. Decode Deng Yiming's native video narration deeply about the touching of the issue of family identity and cultural memory.
【作者单位】： 郑州师范学院传播学院;
【分类号】：J905
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本文编号：2080667