视点变化中的北京都市空间

发布时间：2018-06-29 11:07

本文选题：都市空间 + 电影创作　；参考：《现代传播(中国传媒大学学报)》2017年06期

【摘要】：正当前我国电影创作的一个突出问题,是用叙事架空了都市空间,空间成为搭建的消费主义和表演的舞台,仅作为景观或凑戏工具,未将本土空间与人物形成有效关联,人物和故事游离于空间之外,这无疑是对都市和人物的双重背离。作为新一代电影的创作者,如果只止于世界城市主义化的都市空间和建筑造型,追求世界"共相"疏忽本土"殊相",甚至忽视通过空间对都市人生存状态的追问和文化变迁的深层探求,都市空间只能得其"表"无其"神"。本文以电影中的
[Abstract]:At present, one of the prominent problems in Chinese film creation is to use narrative to empty the urban space and to make space a stage of consumerism and performance. Only as a landscape or a play tool, there is no effective association between the local space and the characters, and the characters and stories are free from the space. This is doubtless a double departure from the city and the characters. As the creator of the new generation of films, if only the urban space and architectural style of the world urbanism are stopped, the "common phase" of the world is neglected, and even the deep exploration of the state of the life of the city through space and the deep exploration of cultural changes, the urban space can only have its "watch" without its "God".
【作者单位】：北京电影学院电影学系;
【基金】：北京电影学院校级科研项目“新时期后电影中北京城市空间研究”(项目编号:XP201611)的研究成果
【分类号】：J904

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