范式转换与类型多元:新世纪谍战剧创作的新变

发布时间：2018-07-01 09:46

  本文选题：产品市场化 + 范式转换　； 参考：《中国电视》2016年09期

【摘要】：正"范式转换"~①这一概念最早是由托马斯·库恩在《科学革命的结构》一书中提出来的,这里借用这一概念指称新世纪我国谍战剧创作理念及方式上的转变。在21世纪经济全球化、传播数字化、文化产品市场化的语境下,新世纪谍战剧呈现出多种类型及多元意识形态的整合范式,实现了艺术创作的范式转换及审美层次的人性化升华。类型多元的新谍战剧拓展了革命历史题材剧作的创作视野,增强了革命叙事的趣味性,丰富了类型片的题材样式,呈现出新的精神风貌和文化特质。
[Abstract]:The concept of "paradigm shift" was first put forward by Thomas Kuhn in the structure of the Scientific Revolution, which is used to refer to the transformation of the creative ideas and methods of Chinese espionage dramas in the new century. In the context of economic globalization, digitalization of communication and marketization of cultural products in the 21st century, the new century espionage shows a multi-type and multi-ideological integration paradigm. It realizes the paradigm transformation of artistic creation and the humanization of aesthetic level. The multi-type new espionage drama expands the creative field of the revolutionary historical drama, enhances the interest of the revolutionary narrative, enriches the theme style of the type film, and presents the new spiritual style and cultural characteristic.
【作者单位】： 成都理工大学传艺学院;
【分类号】：J905
，

本文编号：2087374