电影《解救吾先生》的接受美学解读

发布时间：2018-07-02 11:27

  本文选题：《解救吾先生》 + 接受美学　； 参考：《电影文学》2017年09期

【摘要】：接受美学是21世纪商业电影创作的重要理论,甚至成为衡量一部商业电影是否成功的标尺。在电影的市场经济面前,诸多以观众为主体、为核心的商业电影应运而生,观众的审美需求和审美能力才是电影创作的审美标准。影片《解救吾先生》取材于真实的犯罪案件,很容易被拍成严肃的警匪正剧,可在导演丁晟的凌厉剪辑和快节奏叙事风格下,该片成为近年来难得的商业佳片,真正做到了在接受美学的规范下最大限度地满足了观众的审美期待。
[Abstract]:Reception aesthetics is an important theory of commercial film creation in the 21st century, and even a yardstick to judge the success of a commercial film. In the face of the film market economy, many commercial films with audience as the main body and as the core emerge as the times require. The aesthetic demand and the aesthetic ability of the audience are the aesthetic standards of film creation. The film "Mr. Save me" is based on a real crime case and is easily filmed as a serious police and bandit drama. But under the fierce editing and fast-paced narrative style of director Ding Sheng, the film has become a rare commercial film in recent years. It can satisfy the audience's aesthetic expectation to the maximum extent under the standard of reception aesthetics.
【作者单位】： 大连工业大学艺术设计学院;
【分类号】：J905
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本文编号：2089969