红色电影：潇湘电影制片厂的品牌研究

发布时间：2018-07-02 20:13

本文选题：潇影集团 + 湖湘文化　；参考：《湖南师范大学》2014年硕士论文

【摘要】：建国以来,以革命战争为题材的红色影视一直活跃于荧幕之上。红色影视一直备受我国影视界的重视。随着红色影视的被重视以及市场经济的刺激,作为七大影视集团之一的湖南潇湘电影集团充分发挥地域文化优势,创作出一大批优秀革命题材影视作品,使潇湘影视集团在影视界获得较高的荣誉。红色影视也逐步成为潇影的重点特色产业之一绪论部分概述了本选题的背景,确定了“红色影视”的内涵及其发展历史。进而陈述了选题的意义以及红色影视的研究现状。第一章“红色影视的生成境遇”,从国家政策入手,分析潇影集团逐步成长的过程与国家政策息息相关,再联系湖湘地域文化的特点、乡土人情、革命历史人物故事方面,分析它们对潇影集团红色影视发展所提供的有利条件,后联系潇影集团发展过程中的时代环境,特别是正逢中国电影史上出现的“第五代导演”对潇影集团拍摄红色影视破传统路线的重要意义,以潇影近三十年拍摄的红色影视为例证,说明潇影集团红色影视品牌与时代精神是相契合的。第二章“潇影红色电影的题材选择”,以潇影集团拍摄的众多红色影视为探究基础,将其影视分为关于工农革命运动、解放以后的战斗生活、领导人物的日常生活等三大类别。通过相关影片内容的具体分析,解读潇影集团在选材方面所受地域文化的影响,认为大多数影片都以本土人物故事为核心,表现湖湘人士所特有的革命精神。第三章“潇影红色电影的形象塑造”,紧扣“形象”二字研究潇影集团各类影片中人物形象塑造的特点。结合湖南辣椒文化的特色,研究潇湘红色影视中张扬而又柔情的女性形象；结合湖湘忧国忧民、敢为人先的精神,解读影片中壮志凌云的革命青年以及忧国忧民的革命领袖所具有的性格特征。总之,潇湘红色影视人物形象性格中均彰显了湖湘人的精神品质。第四章“潇影红色电影的艺术风格”,主要解读潇影红色影视作品所呈现出来的两种艺术风格,一是革命战火中的浪漫,二是英勇无畏中的悲壮,进而揭示潇湘红色影视所呈现的品牌意义。结语部分认为研究潇湘红色影片的品牌特征,不仅有助于潇湘集团自身的发展,明确以后的发展方向,也有利于湖湘文化借助红色题材影视,走出湖南,走向全国。
[Abstract]:Since the founding of the people's Republic of China, the red film and television with revolutionary war theme has been active on the screen. Red film and television has always been the focus of our film and television industry. With the attention paid to the red film and television and the stimulation of the market economy, Hunan Xiaoxiang Film Group, one of the seven major film and television groups, has brought into full play its regional cultural advantages and created a large number of excellent film and television works with revolutionary themes. Xiaoxiang Film and Television Group in the film and television industry to obtain a higher honor. Red film and television has gradually become one of the key characteristic industries of Xiao Ying. In the introduction part, the background of this topic is summarized, and the connotation and development history of "Red Film and Television" are determined. Then the significance of the topic and the status quo of red film and television research are stated. The first chapter, "the formation of Red Film and Television", starts with the national policy, analyzes that the gradual growth process of Xiao Ying Group is closely related to the national policy, and then links with the characteristics of Huxiang regional culture, local human feelings, and the story of revolutionary historical figures. This paper analyzes the favorable conditions they provide for the development of the red film and television of Xiao Ying Group, and the time environment in the process of the development of Xiao Ying Group. In particular, it coincides with the importance of the "fifth generation director" appearing in the history of Chinese cinema to the Xiao Ying Group in breaking the traditional line of shooting the red film and television, exemplified by the red film and television filmed by Xiao Ying in the past 30 years. Xiaoying Group Red Film and Television brand and the spirit of the times is consistent. The second chapter is "the theme selection of Xiao Ying Red Film", which is based on the numerous red films and films shot by Xiao Ying Group, which are divided into three categories: the revolutionary movement of workers and peasants, the battle life after liberation, and the daily life of leading characters. Through the concrete analysis of the content of the relevant films, this paper interprets the influence of the regional culture on the selection of the materials of Xiao Ying Group, and thinks that most of the films take the local character story as the core and express the unique revolutionary spirit of the Huxiang personages. Chapter three, "Image shaping of Xiao Shadow Red Film", closely studies the characters in all kinds of films of Xiao Ying Group. Combined with the characteristics of Hunan chili culture, the study of Xiaoxiang red film and television in the publicity and tenderness of the female image, combined with Huxiang worry about the country and the people, the spirit of being the first, Unscramble the character of the ambitious revolutionary youth and the worried revolutionary leader in the film. In short, Xiaoxiang red film and television figures in the character of the characters show the spiritual quality of Hunan people. The fourth chapter, "the artistic style of Xiao Ying Red Film", mainly interprets the two artistic styles presented by Xiao Ying Red Film and TV works, one is the romance in the revolutionary war, the other is the bravery and bravery in the bravery. And then reveal the brand significance of Xiaoxiang Red Film and TV. The conclusion part thinks that studying the brand characteristics of Xiaoxiang Red Film is not only helpful to the development of Xiaoxiang Group, but also helpful to Hunan culture to go out of Hunan and go to the whole country with the help of Red theme Film and Television.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.2

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