第六代导演的镜像表达

发布时间：2018-07-03 00:44

本文选题：挣扎 + 颠覆　；参考：《河南师范大学》2015年硕士论文

【摘要】：在中国电影史上第六代导演群体是一个独特的存在,他们既不同于第五代宏大历史背景下厚重的历史责任感叙事,又没有整体划一的东方式美学风格审美和强烈的视觉色彩冲突。他们是在开放的环境中自由成长起来的一类人,受到后现代主义文化交替融合的影响,对于电影叙事的表达有着自己独特的视角,对于社会群体生命的感悟有着深刻的体验,在文化基础和画面的表现有着更系统的知识储备和基本素养。他们拒绝在主流文化意识形态中去循规蹈矩,以一种特立独行的“他者”姿态被用来补充西方自由主义知识分子对于东方文化的预期讨论,以一种放逐式的自由来客观表现转型期边缘群体的生存状态,试图在第五代的荣耀和光环下实现自己的青春突围。这些使得他们在中国电影场中成为了一个独特的存在和特定的文化现象,这个群体不再是以往的以共时存在而划分的群体,更多的是以一种共有的存在出现的群体,他们在叛逆和挣扎中独立,在狂欢和静默中注视,在嗜血的疼痛和阴影下的渴望被关注中默默悲哀。在当今复杂多变的电影文化市场中,他们能否以群体的姿态在获得海外市场关注的背景下,继续稳步实现国内市场的突围,能否在商业文化和大众的选择中实现突围?同时在先锋的道路上形成自己独特的镜像符号,是一个值得我们不断思考的问题。
[Abstract]:The sixth generation of directors is a unique existence in the history of Chinese film. They are different from the heavy historical responsibility narration under the grand historical background of the fifth generation. There is no unified eastern aesthetic style aesthetic and strong visual color conflict. They are a kind of people who grow up freely in an open environment, influenced by the alternation of postmodernism culture, they have their own unique angle of view on the expression of film narration, and they have a profound experience of the life of social groups. In the cultural basis and the performance of the picture has a more systematic knowledge and basic literacy. Refusing to follow the rules in mainstream cultural ideology, they are being used as a maverick "other" to complement the Western liberal intellectual's expected discussion of Oriental culture. This paper presents objectively the living state of the marginal groups in the transition period with a kind of exile freedom, and tries to realize his own youth breakthrough under the glory and aura of the fifth generation. These make them become a unique existence and a specific cultural phenomenon in the Chinese film field. This group is no longer the former group divided by co-existence, but more as a group that appears as a common being. They are independent in rebellion and struggle, gazed at in carnival and silence, mourned silently in the attention of yearning under the pain and shadow of bloodlust. In today's complex and changeable film culture market, can they continue to achieve the breakthrough in the domestic market and the choice of the commercial culture and the public under the background of obtaining the attention of the overseas market in a group attitude? At the same time, forming its own unique image symbol on the road of pioneer is a problem that we should constantly think about.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

【参考文献】