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徐浩峰电影的艺术特色研究

发布时间:2018-07-03 15:27

  本文选题:徐浩峰 + 武侠电影 ; 参考:《山东艺术学院》2017年硕士论文


【摘要】:中国武侠电影作为中国特有的类型电影,至今有九十余年的历史,在中国电影的发展史上占有极其重要的地位。从武侠电影发迹至今先后出现过五次创作浪潮,它不仅丰富了中国武侠电影的美学样式,更给中国电影带来新的历史性改变。新世纪以来,武侠电影的样式随着科技进步的发展也出现了多种形态,《卧虎藏龙》、《英雄》等高规格影片,引领一时武侠电影之浪潮,但自此之后武侠电影又一次进入瓶颈期。在这样的时代背景下,出现了一位后起之秀——徐浩峰,可谓是往武侠电影的发展样式中注入一股清流。他因自己是武将家族的武学渊源以及对武学文化的长期研究,写了数部武侠小说,成为炙手可热的武侠小说家,开创了硬派武侠小说之先河。近年来涉足导演编剧行业,其武侠电影也拥有独特的电影表现手法,风格冷峻简洁。冷色调的画面中,将历史、文化、武术等元素融于一体,增添了其电影的观赏性。以再现真实的武术场景为特色,以还原真实的武林为追求,塑造了其独具个性的武侠情怀和叙述方式。徐浩峰的电影有着与以往一般武侠电影所与众不同的艺术特色。在题材选择、人物设置、武打设计等方面彰显了焕然一新的风格特征,在特定历史时期反映的传统文化的“礼崩乐坏”也触动了观者的内心。本文是徐浩峰电影体现出鲜明的艺术特色的研究。首先,结合徐浩峰的成长经历,探究其在电影作品中所形成的创作观念和艺术观念的原因。其次,以徐浩峰的多重身份为切入点,分析他对传统中国武侠电影的传承与发展,探析其开创武侠电影的一种亚类型“武行片”的形态特征,并通过影片中着重表现的冷兵器和引人注目的女性形象的分析,及其电影镜头、画面、道具等方面的分析研究,认识其影片中由武行建构的武侠世界,探寻其实质内涵。通过对徐浩峰电影艺术特色的探析,尝试把握其在新时期中国武侠电影创作中的价值与意义。徐浩峰电影作品中的创作意图、叙事风格、拍摄技术等,打破了中国武侠电影固有模式。他的一次尝试,将中国武侠电影带向了另一个崭新的视角,也成为近些年来武侠电影创作中最令人期待的一股新力量。此文尝试对徐浩峰电影进行其艺术特色的探析,并通过徐浩峰电影独具特色的风格特征,寻找其在中国武侠电影新时期的准确位置与价值。
[Abstract]:As a special type of Chinese film, Chinese martial arts film has a history of more than 90 years and plays an extremely important role in the history of Chinese film development. There have been five waves of creation since the birth of the martial arts film, which not only enriches the aesthetic style of the Chinese martial arts film, but also brings new historical changes to the Chinese film. Since the new century, with the development of science and technology, the style of martial arts film has also appeared various forms, "Crouching Tiger, Hidden Dragon", "Hero" and other high standard films, leading to the wave of martial arts film, but since then the martial arts film has once again entered the bottleneck period. In such an era background, a rising-up-Xu Haofeng, can be said to inject a clear stream into the development style of martial arts movies. He wrote several martial arts novels because he was the origin of martial arts family and a long-term study of martial arts culture. He became a hot martial arts novelist and pioneered the hard-school martial arts novels. In recent years, the martial arts film has its unique performance, and its style is austere and succinct. In the cold-tone picture, history, culture, martial arts and other elements in one, added to its film appreciation. With the characteristic of reproducing the real martial arts scene and the pursuit of restoring the true martial arts Lin, it molds its unique martial arts feelings and narrative way. Xu Haofeng's films have different artistic features from the previous martial arts films. In the aspects of theme selection, character setting, martial arts design and so on, it shows a new style characteristic, and the traditional culture reflected in the specific historical period also touches the viewer's heart. This paper is a study of Xu Haofeng's films with distinctive artistic characteristics. First of all, combined with Xu Haofeng's growing up experience, it explores the reasons of his creative and artistic ideas in his film works. Secondly, taking Xu Haofeng's multiple identities as the starting point, this paper analyzes his inheritance and development of the traditional Chinese martial arts films, and probes into the morphological characteristics of a subtype of "martial arts films" that he pioneered. And through the analysis of the cold weapon and the attractive female image in the film, and the analysis of the film lens, picture, props and so on, we know the martial arts world constructed by the martial arts in its film, and explore its essence connotation. This paper attempts to grasp the value and significance of Xu Haofeng's artistic features in the Chinese martial arts film creation in the new period. Xu Haofeng's creative intention, narrative style and shooting techniques break the Chinese martial arts film pattern. His attempt to bring the Chinese martial arts film to another new angle of view has become the most anticipated new force in the creation of martial arts films in recent years. This article attempts to explore the artistic characteristics of Xu Haofeng's films, and through the unique style features of Xu Haofeng's films, to find their exact position and value in the new period of Chinese martial arts movies.
【学位授予单位】:山东艺术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J911

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