诗意、漂泊与乡愁的“心灵地理学”——近期国产公路电影的地理学解读

发布时间：2018-07-07 09:26

本文选题：现代中国 + 在路上　；参考：《艺术评论》2017年07期

【摘要】：正2015-2016年,有三部讲述现代中国"流浪故事"的影片颇受人瞩目,并先后受到国内外各大奖项青睐~[1]。随后,除了《诗人出差了》更多受小众群体关注,《路边野餐》《长江图》都在业界引起巨大反响,探讨之声不绝。作为公路电影的研究者,笔者注意到,相对于表现"现代社会中人与地理、人与人之间的复杂关系和内心世界"~[2]的公路电影,这几部影片尽管不完全是"在路上"(比如《长江图》是"在江上",而《路边
[Abstract]:In 2015-2016, three films about modern China's "wandering Story" have attracted considerable attention, and have been favored by various domestic and foreign awards. Then, apart from the poet on a business trip, more attention from minority groups, "roadside picnics" Yangtze River Pictures "in the industry caused a huge response, the sound of discussion. As a researcher of highway film, the author notes that compared with the "complex relationship and inner world between people and geography in modern society", These films, though not entirely "on the road" (for example, "on the river"), are "on the river" and "by the side of the road"
【作者单位】：北京电影学院;
【基金】：国家社科基金艺术学项目《新疆民族电影文化史》(项目号:16BC033)资助
【分类号】：J905

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