台湾眷村题材影视作品研究

发布时间：2018-07-09 11:57

本文选题：眷村 + 台湾电影　；参考：《南京师范大学》2017年硕士论文

【摘要】：上世纪八十年代,一批反映眷村风貌与眷村人生活的电影作品被集中创作出来,在短暂的创作风潮之后,九十年代眷村题材电影发展的初衰之症业已显现。进入新世纪,眷村题材电影的创作陷入谷底,眷村题材影视创作转而向电视领域扩展,一批眷村题材电视剧出现,此题材影视作品的投资、拍摄、映演等也扩展至大陆地区。眷村题材影视作品的创作历经三十几年的发展,形成了一些较为明显的特征。在文化内涵方面,作品突出了以中华文化为主导,融入多种其他文化的眷村文化,反映了眷村人在省籍身份上的不同表述,以及在国族身份上的双重确认,并借由眷村一代对大陆印象的回忆、想象与重建,描绘了三个各异的大陆形象,充分显示了眷村题材影视作品在文化上的丰富内涵。就眷村题材影视作品的叙事与视听而言,其视听语言表现出中国各地文化元素的多元并置,以及时代符号的大量运用的特点,叙事上表现出了情节时间的顺序化与叙事空间的固定化的特点。眷村题材影视作品“和而不同”,各个作品之间虽有共性,但亦有差异。眷村题材电影注重表现个体,眷村题材电视剧则着力刻画眷村人物群像,表现眷村日常生活。不同地域创作的眷村题材影视作品亦有所差别。台湾的眷村题材影视作品展现眷村生活,凸显在地认同,大陆的眷村题材影视作品则展示离散苦难,凸显中国认同。通过眷村题材影视作品,我们不仅可以深入了解眷村,反思眷村文艺作品所塑造的眷村神话,更可由此窥探台湾的政治、经济、文化发展历程。
[Abstract]:In the eighties of the last century, a number of films reflecting the style and life of the family members were created. After a brief period of creation, the decline of the development of the family village films in the 1990s has become apparent. In the new century, the creation of family village theme films has fallen into a trough. The creation of family village films and television has been expanded to the television field. A number of TV dramas on the subject of family affairs have appeared. The investment, shooting, and performance of this theme film and television works have also been extended to the mainland. After more than 30 years of development, the creation of TV works on the subject of family affairs has formed some obvious characteristics. In terms of cultural connotation, the works highlight the village culture of the family, which is dominated by Chinese culture and incorporated into many other cultures, and reflects the different expressions of the provincial identity of the people living in the village and the dual recognition of the identity of the national people. And by the memory, imagination and reconstruction of the impression of the mainland, the three different images of the mainland are depicted, which fully shows the rich cultural connotation of the film and television works on the subject of the village. As far as the narration and audiovisual aspects of the TV works on the subject of military affairs are concerned, the audio-visual language shows the pluralistic juxtaposition of cultural elements in various parts of China, as well as the extensive use of the symbols of the times. Narration shows the characteristics of sequentialization of plot time and immobilization of narrative space. Although there are commonalities, there are also differences between the various works. Family Village movies focus on the performance of the individual, family TV drama focus on portraying the village figures, the daily life of the village. Different regions of the creation of the subject matter of the village film and television works are also different. Taiwan's TV works on the theme of the village show the life of the village, highlighting the local identity, while the mainland's TV works on the subject of the village show discrete suffering, highlighting the identity of China. Through the film and television works on the subject, we can not only deeply understand the village and reflect on the mythology of the village created by the literary works of the village, but also probe into the political, economic and cultural development of Taiwan.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

【参考文献】