论宫崎骏“人与自然”主题动画电影的艺术符号表征

发布时间：2018-07-13 12:15

【摘要】：本论文的题目是《论宫崎骏“人与自然”主题动画电影的艺术符号表征》，对宫崎骏的崇拜以及对其作品的喜爱是我写这篇文章的基础。在大学的时候就被《哈尔的移动城堡》深深迷住，自此开始关注宫崎骏的动画电影，从《风之谷》、《魔女宅急便》、《千与千寻》到《悬崖上的金鱼姬》等，无一不细细品读。他的动画电影从生态主义到人文主义乃至女权主义都细细勾勒了作者的内心世界，因此画面之外的观众会被电影中跌宕起伏的故事情节、勇敢善良的动画角色所打动。在符号的世界里，好多东西就像是一个编码，符号的共性与个性敲打着人们大脑中的意识，，人们看到后就能联想到大千世界中的不同面貌。艺术符号是信息的载体，承载了事物内涵与外延的双重任务，并付诸于情感，是信息表达和情感传递不可缺少的要素。通过对宫崎骏动画作品的研究，更深层次的发掘其人与自然主题动画电影中艺术符号的重要作用。因此，他的视听语言、角色等都被赋予了符号化的意义，换句话说，宫崎骏的动画作品是一种符号，其本身也是一种符号。宫崎骏以其特有的符号形式阐释了他对动画电影的钟爱，他在作品中融入了自己浓烈的情感，正是这“情感”在不断的启迪、教育着当代的青少年。例如环保主题的动画电影，在他的诸多符号当中阐述了人与自然之间的关系，强烈表达着保护自然的愿望，在青少年的内心里深深的扎下了根；同时，对于成年人来说无疑也是一场精神的洗礼。生活在自然界中的人们离不开自然的恩泽与制约，人类在自然界中不断索取自然资源，生活的越来越好，但是这是在人与自然和谐相处的前提之下，就像宫崎骏动画电影表述的那样，能指与所指涌现在人们的现实生活中，有和谐才有发展，如果对自然的不敬换来的恐怕只是人类的灾难。
[Abstract]:The title of this thesis is "on the artistic symbol representation of MiyazakiHayao" Man and Nature "theme animation film. The worship of MiyazakiHayao and the love of his works are the basis of my writing this article. When he was in college, he was fascinated by Hal's moving Castle. Since then, he has paid attention to MiyazakiHayao's animated movies, from the Valley of the Wind, the House of Warcraft to the Golden Fish on the Cliff, and so on. His animation film from ecologism, humanism and even feminism have all carefully outlined the author's inner world, so the audience outside the screen will be moved by the story plot and the brave and kind animation characters in the film. In the world of symbols, many things are like a code. The commonness and individuality of symbols strike the consciousness in people's brains, and when people see them, they can think of different faces in the world. Artistic symbol is the carrier of information, carrying the dual task of intension and extension of things and putting it into effect. It is an indispensable element of information expression and emotion transmission. Through the study of MiyazakiHayao animation works, the important role of artistic symbols in the animation films of human and natural themes is further explored. Therefore, his audiovisual language, characters and so on are given symbolization meaning. In other words, MiyazakiHayao's animation works are a kind of symbol, which is also a symbol. MiyazakiHayao explains his love for animated movies with his unique symbolic form. He integrates his strong feelings in his works. It is this "emotion" that constantly enlightens and educates contemporary teenagers. For example, the animated film on the theme of environmental protection, in his many symbols, expounds the relationship between man and nature, strongly expresses the desire to protect nature, and takes a deep root in the hearts of young people; at the same time, For adults, there is no doubt that it is also a spiritual baptism. People living in nature can not do without the grace and constraints of nature, human beings in nature continue to demand natural resources, life is getting better and better, but this is under the premise of harmony between man and nature. As the MiyazakiHayao animated film puts it, signifier and signifier emerge in people's real life, there is harmony and development, if the disrespect for nature is probably only human disaster.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

【共引文献】