李安电影的“中场战事”:家庭
发布时间：2018-07-13 21:55
【摘要】：新片《比利·林恩的中场战事》中再次出现了对"家庭"的讨论,从早期的"父亲三部曲"开始,家庭就一直是李安电影中的重要主题。家庭在其电影中已不仅是一个主题,更是一个重要的意象和符号。它既是个体与外在冲突的交锋处,也是反映传统与现代文化矛盾的空间,正如中场之战事。李安的电影借由家庭来探讨父辈与子辈、东方与西方的关系,在家庭的失落与重建中,也重建着它所代表的传统儒家思想的意义。
[Abstract]:"Family" has been discussed again in the new film Billy Lynn's Midfield War, and family has been an important theme in Ang Lee's films since the early "Father Trilogy." Family is not only a theme, but also an important image and symbol in its films. It is not only the conflict between individual and outside, but also the space to reflect the contradiction between tradition and modern culture, just like the war in midfield. Ang Lee's film explores the relationship between father and son, between the east and the west by the family. In the process of the family's loss and reconstruction, it also reconstructs the significance of the traditional Confucian thought that it represents.
【作者单位】： 广州大学新闻与传播学院;
【分类号】：J911
本文编号：2120860
[Abstract]:"Family" has been discussed again in the new film Billy Lynn's Midfield War, and family has been an important theme in Ang Lee's films since the early "Father Trilogy." Family is not only a theme, but also an important image and symbol in its films. It is not only the conflict between individual and outside, but also the space to reflect the contradiction between tradition and modern culture, just like the war in midfield. Ang Lee's film explores the relationship between father and son, between the east and the west by the family. In the process of the family's loss and reconstruction, it also reconstructs the significance of the traditional Confucian thought that it represents.
【作者单位】： 广州大学新闻与传播学院;
【分类号】：J911
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