当代欧美仿纪录风格恐怖电影研究（2006-2016）
发布时间：2018-07-14 20:53
【摘要】：恐怖电影就是经过人为加工后的噩梦的呈现,一种利用视觉与听觉制造奇观和未知幻象的噩梦。恐怖片不同于科幻片,它不受科学、理性的约束,不需要给恐怖以解释,旨在让人们观看电影所带来的害怕、恐惧的情感体验。而仿纪录风格的恐怖电影一改观众的旁观者、窥视者的视角,通过手持摄影机、监控摄影机等设备给观众以“真实”等录像的错觉,并在2006年后风靡全球,成为了恐怖电影的一种固定影像风格。本论文从恐怖电影史的维度出发,立足于恐怖电影的视听语言,研究作为商业电影一大类型的恐怖片新兴的潮流——仿纪录风格的发展及其背后的原因,分析此风格出现的原因和发展以及该种风格的特征,透过仿纪录风格的兴起去了解欧美恐怖电影的视听变化和消费本质;探讨此风格的恐怖电影的未来发展之路以及对中国恐怖/惊悚电影的启示。经过统计,仿纪录风格的恐怖电影因为其表现形式和内容,强调外在的惊吓效果,对于事件成因,心理探究等都忽略,因此在学者和电影界看来,此种恐怖片形式大于内容,多以批评和贬低。本文拟通过对新世纪以来欧美恐怖电影的仿纪录风格进行对比分析、影片个案的视听语言的研究,以期对中国恐怖电影的发展和实用性方面做出一些理论支持。本文共分为绪论、正文五章,共六部分内容。绪论提出了论文研究的目的和意义以及研究的现状和研究思路。第一章从恐怖电影史的维度,对欧美仿纪录风格恐怖电影的发展进行梳理和概念界定;第二章就仿纪录风格恐怖电影的叙事策略进行分析,从叙事主题、叙事主体和叙事结构三方面进行阐述;第三章则着重分析了在仿纪录风格影响下的欧美恐怖电影的视听语言上的特征,从镜头设计、人物造型和音响设置上进行细致研究;第四章将在此风格恐怖电影与其他媒介进行关联性分析,了解恐怖电影吸收其他文化产品中的哪些特色并加以利用;第五章是对中国国内仿纪录风格恐怖电影现状的简要概括,并从总体上思考欧美仿纪录风格恐怖电影的特征和缺陷,希望能够启发国内恐怖电影的创新和本土化策略。
[Abstract]:Horror film is the appearance of artificial nightmares, a nightmare of using vision and hearing to create wonders and unknown illusions. Horror movies, unlike sci-fi films, are not subject to scientific, rational constraints, do not need to explain terror, and are designed to give people an emotional experience of fear, fear and fear when they watch movies. And the horror movies that mimic the record style changed the viewer's perspective and gave the audience the illusion of "reality" through hand-held cameras, surveillance cameras, and other devices, and became popular around the world after 2006. It has become a kind of fixed image style of horror film. Based on the audiovisual language of horror films, this paper studies the development of the imitation recording style, a new trend of horror films as a major type of commercial films, and the reasons behind it, from the perspective of the history of horror films. By analyzing the reasons and development of this style and its characteristics, we can understand the audio-visual changes and the essence of consumption of the horror movies in Europe and America through the rise of the imitation recording style. To explore the future development of this style of horror films and the inspiration to Chinese horror / thriller films. According to statistics, because of its form and content, the emphasis on the effect of external shock, it ignores the cause of events, psychological inquiry, etc. Therefore, in the view of scholars and the film industry, the form of this horror film is larger than the content. More criticism and belittling. This paper intends to make some theoretical support for the development and practicability of Chinese horror films through the comparative analysis of the parody style of the horror films in Europe and the United States since the new century and the study of the audio-visual language of the films. This article is divided into the introduction, the body of five chapters, a total of six parts. The introduction puts forward the purpose and significance of the research, the present situation of the research and the research ideas. The first chapter combs and defines the development of the parody record style horror film in Europe and America from the dimension of the history of horror film, the second chapter analyzes the narrative strategy of the parody record style terror film, from the narrative theme, The third chapter focuses on the analysis of the audio-visual language characteristics of the European and American horror films under the influence of the parody recording style, and makes a detailed study on the lens design, character modeling and sound setting. The fourth chapter will analyze the relationship between this style horror film and other media, understand which characteristics of terrorist film absorb other cultural products and make use of it. Chapter five is a brief summary of the current situation of China's domestic record style horror film. The author also thinks about the characteristics and defects of European and American horror films in the style of imitation record, hoping to enlighten the innovation and localization strategy of domestic horror films.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
本文编号：2122915
[Abstract]:Horror film is the appearance of artificial nightmares, a nightmare of using vision and hearing to create wonders and unknown illusions. Horror movies, unlike sci-fi films, are not subject to scientific, rational constraints, do not need to explain terror, and are designed to give people an emotional experience of fear, fear and fear when they watch movies. And the horror movies that mimic the record style changed the viewer's perspective and gave the audience the illusion of "reality" through hand-held cameras, surveillance cameras, and other devices, and became popular around the world after 2006. It has become a kind of fixed image style of horror film. Based on the audiovisual language of horror films, this paper studies the development of the imitation recording style, a new trend of horror films as a major type of commercial films, and the reasons behind it, from the perspective of the history of horror films. By analyzing the reasons and development of this style and its characteristics, we can understand the audio-visual changes and the essence of consumption of the horror movies in Europe and America through the rise of the imitation recording style. To explore the future development of this style of horror films and the inspiration to Chinese horror / thriller films. According to statistics, because of its form and content, the emphasis on the effect of external shock, it ignores the cause of events, psychological inquiry, etc. Therefore, in the view of scholars and the film industry, the form of this horror film is larger than the content. More criticism and belittling. This paper intends to make some theoretical support for the development and practicability of Chinese horror films through the comparative analysis of the parody style of the horror films in Europe and the United States since the new century and the study of the audio-visual language of the films. This article is divided into the introduction, the body of five chapters, a total of six parts. The introduction puts forward the purpose and significance of the research, the present situation of the research and the research ideas. The first chapter combs and defines the development of the parody record style horror film in Europe and America from the dimension of the history of horror film, the second chapter analyzes the narrative strategy of the parody record style terror film, from the narrative theme, The third chapter focuses on the analysis of the audio-visual language characteristics of the European and American horror films under the influence of the parody recording style, and makes a detailed study on the lens design, character modeling and sound setting. The fourth chapter will analyze the relationship between this style horror film and other media, understand which characteristics of terrorist film absorb other cultural products and make use of it. Chapter five is a brief summary of the current situation of China's domestic record style horror film. The author also thinks about the characteristics and defects of European and American horror films in the style of imitation record, hoping to enlighten the innovation and localization strategy of domestic horror films.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
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