寂静幽玄中的风雅与“想象界”——也谈日本当下电影中的美食与风景治愈效果
发布时间：2018-07-15 11:36
【摘要】：荻上直子、松冈锭司和森淳一三位导演的系列作品都能给人带来平静和舒适之感,他们的电影在谈美食与风景中见人性、见宇宙、见普世性。美食与风景既符合又超越了"食色性也"的境界,又都属于"物自体",是可见之物。其中折射了日本的"物哀"文化,只为消愁解闷、寻求慰藉而没有任何其他功用的或实利的目的,与"无目的的合目的性"一致,既保持了自然的人性,又体现了良好的情感教养,具有贵族般的超然与优雅,既富有风流雅趣,又彰显形而上之"道"。
[Abstract]:The series by Naoko Ogiko, Matsuoka and Sunsoon all bring a sense of peace and comfort. Their films see humanity, the universe, and universalism in the discussion of food and scenery. Food and scenery not only accord with and transcend the realm of "food and color", but also belong to "self" and are visible things. It reflects the Japanese culture of "object mourning", seeking solace and solace without any other purpose, consistent with "aimless purpose", and maintaining the nature of human nature. It also embodies a good emotional upbringing, with aristocratic detachment and elegance, both rich in romantic elegance, but also show metaphysical "Tao".
【作者单位】： 北京电影学院电影学系;
【分类号】：J905
，
本文编号：2123933
[Abstract]:The series by Naoko Ogiko, Matsuoka and Sunsoon all bring a sense of peace and comfort. Their films see humanity, the universe, and universalism in the discussion of food and scenery. Food and scenery not only accord with and transcend the realm of "food and color", but also belong to "self" and are visible things. It reflects the Japanese culture of "object mourning", seeking solace and solace without any other purpose, consistent with "aimless purpose", and maintaining the nature of human nature. It also embodies a good emotional upbringing, with aristocratic detachment and elegance, both rich in romantic elegance, but also show metaphysical "Tao".
【作者单位】： 北京电影学院电影学系;
【分类号】：J905
，
本文编号：2123933
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