内地怀旧青春电影的叙事时间研究

发布时间：2018-07-15 17:02

【摘要】：近年来,内地青春电影作为最热门的电影类型之一,被众多学者、专家研究。其中怀旧类青春电影以回忆的手法,多元的视角呈现银幕,引发全民怀旧热潮。因而,这一类型影片值得被探讨和解读。以“叙事时间”为切入点,可以对怀旧青春电影的内容和形式进行探讨,进而深入文化层面的探究。笔者综合热奈特、若斯特和马尔丹的相关电影叙事时间理论,对电影叙事时间理论进行整合,从时序布局、变形时间、重复时间三个层面对怀旧青春电影进行研究。因“青春”与时间有关,故从时间的角度对“内地怀旧青春片”进行分析探究,会产生一种新的化学反应。又因“怀旧”和时间有关,故从时间的角度来探究此类作品的“怀旧”,也会有新的收获。对内地怀旧青春电影进行叙事时间分析,发现此类型电影呈现如下特征:运用“闪回”的方式使电影在形式上呈现循环往复的美感,在两个或多个时段的循环往复中,暗示了对过去时光的迷恋和怀念。通过慢镜头表现跑动来延长时间,以此表现情感,形成这类影片共同的形式美。片中对特定时段的省略,显露了青年团体在这一时段隐藏的艰辛以及对自我的反省。重复的时间一方面是众人对某一集体事件的多角度回忆而还原真相;另一方面是个体在一个事件的多次回忆中实现自我超越。对内地怀旧青春电影进行叙事时间的分析,其固有的文化特性被强调,作为存在于过去和现在两个不同时空的个体,站在当下的角度对过去进行审视、怀念,其历史文化价值被挖掘。内地怀旧青春电影表现出时间的二元对立性、历史事件与个体成长的脱节性、怀旧中的自我超越、青春文化的主流回归等文化特性,而这些文化特性的生成则源于国家计划生育、高校扩招、改革开放等政策的执行,“异己”的历史特征及消费主义文化的合力促成。
[Abstract]:In recent years, as one of the most popular types of films, youth films in the mainland have been studied by many scholars and experts. Among them nostalgia type youth film with the recollection technique, the multivariate angle of view presents the screen, causes the whole people nostalgia upsurge. Therefore, this type of film is worth exploring and interpreting. With narrative time as the starting point, the contents and forms of nostalgic youth films can be discussed, and then the cultural level can be explored. The author synthesizes the theory of narrative time of movies put forward by Genet, Jost and Mardan, integrates the theory of narrative time of films, and studies the nostalgic youth films from three aspects: timing layout, time of deformation and time of repetition. Because "youth" is related to time, it will produce a new kind of chemical reaction by analyzing and exploring "nostalgic youth film" from the angle of time. Because nostalgia has something to do with time, there will be new gains in exploring this kind of works from the perspective of time. By analyzing the narrative time of nostalgic youth movies in the mainland, we find that this type of films presents the following characteristics: the aesthetic sense of the film is circular in form by the way of "flashback", and in the cycle of two or more periods. Hinted at the infatuation and nostalgia for the past. Through slow-motion performance to extend the time, to express emotion, form this kind of film common form beauty. The omission of certain periods reveals the hidden hardships and introspection of youth groups in this period. The time of repetition is, on the one hand, the restoration of the truth from many perspectives of a collective event, and on the other hand, the realization of self-transcendence by the individual in the multiple recollections of an event. Analyzing the narrative time of nostalgic youth movies in the interior, its inherent cultural characteristics are emphasized. As individuals who exist in two different time and space in the past and the present, they look at the past from the current point of view and miss it. Its historical and cultural value has been excavated. Nostalgic youth movies in the mainland show the duality of time, the disconnection between historical events and individual growth, the self-transcendence in nostalgia, the return of mainstream youth culture, and so on. The formation of these cultural characteristics originates from the implementation of national family planning, college enrollment expansion, reform and opening up, the historical characteristics of "dissent" and the resultant contribution of consumerism culture.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905

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