试论黑泽明电影的精神发生与结构延展

发布时间：2018-07-15 20:24

【摘要】：作为日本电影大师黑泽明晚年具有代表性的电影——《黑泽明之梦》从一开始就将观众带入了那难以捉摸的超现实主义叙事中。论文正是希望透过难以捉摸的影像表现，抓住这位导演内心深处的痛苦与渴望，并以此作为分析黑泽明其他作品的“轴”。本文首先从精神分析入手，以“黑泽明”研究黑泽明，探寻《黑泽明之梦》的隐喻和洞旨，找寻意象的原型与象征；其次是细读电影文本，找出结构中左右叙事进程的蛛丝马迹；最后比较各个阶段作品的内在隐喻与情节联系，纵论黑泽明电影，形成笔者对于其作品的新的解释。基于黑泽明诸多电影之间的隐秘联系，本文借助了拉康的理论，认定每一个叙事主体都遭到了大写他者的询唤，并强调能指在象征过程中的隐喻（或转喻）作用。笔者为了表达对电影《黑泽明之梦》的尊敬，倒置了拉康的“想象域”、“象征域”与“真实域”的三段论发生逻辑，并在分析几个典型症候之后，总结出三个可行的入口：“治愈关系”；“象征之于死亡”及“镜像的误认与外化”。
[Abstract]:As a representative film of the late years of Japanese film master Kurosawa, the Dream of Kurosawa has brought the audience into the elusive surrealist narrative from the very beginning. This paper hopes to capture the deep pain and desire of the director through the elusive image expression and use it as the "axis" of the analysis of Kurosawa's other works. This paper begins with psychoanalysis, studies Kurosawa with "Kurosawa", explores the metaphors and tenets of the Dream of Kurosawa, and looks for the archetypes and symbols of the images, and then reads the film texts carefully. Find out the clues of the narrative process in the structure, and finally compare the internal metaphors and the plot of each stage of the works, and discuss Kurosawa's films, and form a new interpretation of his works. Based on Akira Kurosawa's theory of "hidden connection" between many films, this paper holds that every narrative subject is called by capitalized others, and emphasizes the role of metaphor (or metonymy) in the process of symbolism. In order to express respect for the film "Dream of Kurosawa", the author inverts Lacan's syllogism logic of "imaginary domain", "symbolic domain" and "real field", and after analyzing several typical symptoms, There are three feasible entrances: healing relationship, symbolism to death, and misconception and externalization of mirror image.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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