影像艺术中的行为心理研究
发布时间：2018-07-16 23:05
【摘要】：本论文主要研究影像艺术中行为心理的联系,通过对艺术家早期经验的研究证明潜意识与艺术家创作行为的联系；列举艺术家早期经验影响心理,以及早期经历中的缺失性体验。艺术家希望通过艺术创造满足自己的未能实现的愿望,使被压抑的欲望得到释放,以此区别精神病人；艺术家成长中,总会出现让自己后悔和遗憾的事情,使艺术家产生“白日梦”,在艺术创作中通过“显梦”或者“隐梦”的方式来表现,描述在自己心里千百遍的画面；可是人们观看到的并不是真正的艺术家所想要表达的,真正的内涵是隐藏在画面背后的潜意识。就如同“白日梦”中的“显梦”隐藏之下的“隐梦”。以“真我”和“假我”来说明影像艺术中两者之间的关系和相互作用。“真我”中的意识控制“假我”表现的行为,“假我”在工作时,“真我”在支配他并且检查他。“真我”、“假我”同时存在于演员的生活,演员过着两种生活,两种人生,当“假我”中的人生相对于现实中“真我“的人生更美好时,演员就会不由自主的沉迷于“假我”,并将“假我”中的经历也带入“真我”的潜意识里。由此而影响“真我”的人格和行为活动。最后说明影像艺术的来源是欣赏者,欣赏者是影像艺术的目的,同时是影像艺术的消费群体,是影像艺术生存和发展的支柱。影像艺术的发展离不开对欣赏者群体的定位包括欣赏者对色彩的感知,对画面的感觉等等,了解他们的喜好,从而创作出适合欣赏者的影像艺术。影像艺术的目的是为了宣传、教育欣赏者,使欣赏者可以从中获得知识,提高欣赏者的文化修养和知识面。欣赏者在观看影像时也是为了从中获得在现实生活中无法得到或者受道德规范约束而不敢去做的,欣赏者在这时会把影像中的人物当做自己,就如拉康“镜像论”婴儿在六个月的时候会从母亲的眼中认识到自己的存在,从而产生幻想和联想。而观看影像后,影像艺术会使欣赏者的看法改变,从而改变欣赏者的潜意识。欣赏者在观赏完后会思考,如果是认同的这种价值观,这种意识就会潜入潜意识里,在欣赏者以后的行为活动中有意识或者无意识的改变欣赏者的心理行为,通过以上论据来说明研究影像艺术中的行为离不开心理。
[Abstract]:This paper mainly studies the association of behavioral psychology in the art of image. Through the study of the early experience of the artist, it proves the relationship between the unconscious and the artist's creative behavior; the artist's early experience affects the psychology and the lack of experience in the early experience. Let the depressed desire be released to distinguish the mental patient; in the growth of the artist, there will always be a matter of regrets and regrets that make the artist produce "daydream", in the form of "dream" or "hidden dream" in the artistic creation, to describe a thousand and hundreds of pictures in his own heart; but people see it. It is not what the real artist wants to express, the true connotation is the subconscious hidden behind the picture. It is like "the hidden dream" hidden in the "dream" hidden in the "daydream". "True ego" and "false me" to explain the relationship and interaction between the two in the image art. "True ego" in the consciousness of "false" "The behavior of the act," false me "at work," true ego "dominates him and checks him." true me "," false me "exists in the life of the actor, the actor passes two kinds of life, two kinds of life, when the life of" false me "is better than the real" true self "in the reality, the actor will involuntarily indulge in" false ". "I", and the experience of "false me" into the subconscious of "real me". Thus, it affects the personality and behavior of "real me". Finally, it shows that the source of the image art is the appreciating, the appreciating is the purpose of the image art, the consumer group of the image art, the pillar of the survival and development of the image art. The development can not be separated from the audience's position, including the appreciation of the appreciation of the color, the feeling of the picture, and so on, to understand their preferences, and thus create the image art for the appreciative. The purpose of the image art is to propagate and educate the appreciative, so that the appreciative can acquire knowledge and improve the culture and knowledge of the appreciative. In view of the image, an appreciating person is not afraid to do it in real life or under the constraint of moral norms. The appreciating person will consider the figure in the image as himself, as Lacan's "mirror" baby will recognize its existence from the parent's eyes in the eyes of the mother in six months. Fantasy and association. And after watching the image, the image art changes the opinion of the appreciator and changes the subconscious mind of the appreciator. The appreciator will think after watching it. If it is the value that is recognized, the consciousness will be subconscious in the subconscious, consciously or unconsciously changing the appreciator in the later behavior of the appreciator. Psychological behavior, through the above arguments, shows that the study of image art is inseparable from psychology.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2127963
[Abstract]:This paper mainly studies the association of behavioral psychology in the art of image. Through the study of the early experience of the artist, it proves the relationship between the unconscious and the artist's creative behavior; the artist's early experience affects the psychology and the lack of experience in the early experience. Let the depressed desire be released to distinguish the mental patient; in the growth of the artist, there will always be a matter of regrets and regrets that make the artist produce "daydream", in the form of "dream" or "hidden dream" in the artistic creation, to describe a thousand and hundreds of pictures in his own heart; but people see it. It is not what the real artist wants to express, the true connotation is the subconscious hidden behind the picture. It is like "the hidden dream" hidden in the "dream" hidden in the "daydream". "True ego" and "false me" to explain the relationship and interaction between the two in the image art. "True ego" in the consciousness of "false" "The behavior of the act," false me "at work," true ego "dominates him and checks him." true me "," false me "exists in the life of the actor, the actor passes two kinds of life, two kinds of life, when the life of" false me "is better than the real" true self "in the reality, the actor will involuntarily indulge in" false ". "I", and the experience of "false me" into the subconscious of "real me". Thus, it affects the personality and behavior of "real me". Finally, it shows that the source of the image art is the appreciating, the appreciating is the purpose of the image art, the consumer group of the image art, the pillar of the survival and development of the image art. The development can not be separated from the audience's position, including the appreciation of the appreciation of the color, the feeling of the picture, and so on, to understand their preferences, and thus create the image art for the appreciative. The purpose of the image art is to propagate and educate the appreciative, so that the appreciative can acquire knowledge and improve the culture and knowledge of the appreciative. In view of the image, an appreciating person is not afraid to do it in real life or under the constraint of moral norms. The appreciating person will consider the figure in the image as himself, as Lacan's "mirror" baby will recognize its existence from the parent's eyes in the eyes of the mother in six months. Fantasy and association. And after watching the image, the image art changes the opinion of the appreciator and changes the subconscious mind of the appreciator. The appreciator will think after watching it. If it is the value that is recognized, the consciousness will be subconscious in the subconscious, consciously or unconsciously changing the appreciator in the later behavior of the appreciator. Psychological behavior, through the above arguments, shows that the study of image art is inseparable from psychology.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
【参考文献】
相关期刊论文 前1条
1 童庆炳;;作家的童年经验及其对创作的影响[J];文学评论;1993年04期
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