文化重构视域下的动画电影研究——以中国风《大鱼海棠》与迪士尼的《海洋奇缘》比较研究为例
发布时间：2018-07-17 00:42
【摘要】：国产动画电影《大鱼海棠》与迪士尼动画电影《海洋奇缘》两部作品均以海洋背景展开故事主题,在影视素材与表现上引经据典,巧妙糅合多元文化场域,汲取多种文化元素作为创作灵感,将历史与当下、传统与现代、梦想与现实、人性与神性兼容于动画世界中,揭示情与理、个体与族群、自然与人类的矛盾冲突,深刻反映动画与文化的关联性和互动性,以及多元文化之间的包容性和适应性。本文试图类比分析两部作品与文化之间的互动关系,探究文化重构的结构、层次及形式对于动画电影本体的深层影响作用,也为未来中国传统文化影像化提供有益参考。
[Abstract]:The domestic animation film "Big Fish Begonia" and the Disney animated film "Ocean Wonderland" both develop story themes in the background of the sea, quote classics on film and television material and performance, and skillfully mix up the field of multicultural fields. Drawing on a variety of cultural elements as creative inspiration, the history and present, tradition and modern, dream and reality, human nature and divinity are compatible in the animation world, revealing the conflict between emotion and reason, individual and ethnic group, nature and human beings. It deeply reflects the relationship and interactivity between animation and culture, as well as the inclusiveness and adaptability between multiculturalism. This paper attempts to analogize and analyze the interaction between the two works and culture, explore the structure, level and form of cultural reconstruction to the deep impact of animation film Noumenon, but also provide a useful reference for the future image of traditional Chinese culture.
【作者单位】： 四川大学锦城学院;
【基金】：2016年四川省教育厅人文社科重点研究基地四川动漫研究中心支助项目“中国动漫语言的认知语用研究”(项目编号:DM201627)中期成果
【分类号】：J954
本文编号：2128268
[Abstract]:The domestic animation film "Big Fish Begonia" and the Disney animated film "Ocean Wonderland" both develop story themes in the background of the sea, quote classics on film and television material and performance, and skillfully mix up the field of multicultural fields. Drawing on a variety of cultural elements as creative inspiration, the history and present, tradition and modern, dream and reality, human nature and divinity are compatible in the animation world, revealing the conflict between emotion and reason, individual and ethnic group, nature and human beings. It deeply reflects the relationship and interactivity between animation and culture, as well as the inclusiveness and adaptability between multiculturalism. This paper attempts to analogize and analyze the interaction between the two works and culture, explore the structure, level and form of cultural reconstruction to the deep impact of animation film Noumenon, but also provide a useful reference for the future image of traditional Chinese culture.
【作者单位】： 四川大学锦城学院;
【基金】：2016年四川省教育厅人文社科重点研究基地四川动漫研究中心支助项目“中国动漫语言的认知语用研究”(项目编号:DM201627)中期成果
【分类号】：J954
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