好莱坞奇幻片:当代神话的转喻和种族意识形态
发布时间：2018-07-18 08:48
【摘要】：奇幻片从本体上属于人类最古老的叙事——神话系统。因此它与现实是"断裂"的,并由此形成了它神话式的转喻性。早期好莱坞奇幻片在脱离欧洲叙事中,建立了自己的"文明与野蛮"的种族恐惧,并在其后一次次获得信仰和西方神话的赋权中确立着自己的主体性。在当代的新神话电影中,面对文明的"失败",它再一次强化着自己的种族意识形态建构。
[Abstract]:The fantasy film belongs to the oldest human narrative mythological system. Therefore, it is "broken" with reality and thus forms its mythical metonymy. Early Hollywood fantasy set up its own "civilized and barbarous" racial fear in disengagement from European narration, and later gained faith and Western mythology. Empowerment establishes its own subjectivity. In the contemporary new mythical films, facing the failure of civilization, it once again strengthens its own race ideology construction.
【作者单位】： 中国电影艺术研究中心;
【分类号】：J905
本文编号：2131379
[Abstract]:The fantasy film belongs to the oldest human narrative mythological system. Therefore, it is "broken" with reality and thus forms its mythical metonymy. Early Hollywood fantasy set up its own "civilized and barbarous" racial fear in disengagement from European narration, and later gained faith and Western mythology. Empowerment establishes its own subjectivity. In the contemporary new mythical films, facing the failure of civilization, it once again strengthens its own race ideology construction.
【作者单位】： 中国电影艺术研究中心;
【分类号】：J905
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