李调元戏曲理论的雅俗之辩
发布时间：2018-07-22 16:53
【摘要】：乾嘉时期地方戏曲崛起,雅俗之辩成为戏曲理论的热点问题。李调元反对传统观念中以诗文为雅、以戏曲为俗的观点,认为文体无雅俗,应当从实际功用的角度来衡量文学的价值。戏曲是表演的艺术,李调元认为戏曲语言应该坚持当行本色,反对过度案头化的雅化,同时,他对过度俗化也提出了批评。在主题的选择上,李调元倾向于伦理教化的戏曲,反对诲淫诲盗、怪力乱神的创作倾向。
[Abstract]:With the rise of local opera in Qianjia period, the debate of elegance and vulgarity became a hot issue in opera theory. Li Diaoyuan opposed the traditional concept of poetry and opera as the vulgar point of view that style has no elegance and vulgarity should measure the value of literature from the perspective of practical function. Opera is the art of performing. Li Tiao Yuan believes that opera language should adhere to the original style and oppose the elegance of excessive desk. At the same time, he also criticizes excessive vulgarization. In the choice of theme, Li Yaoyuan tends to the traditional Chinese opera of ethics, and opposes the creative tendency of teaching obscenity and disorderly spirit.
【作者单位】： 玉林师范学院文学与传媒学院;
【基金】：2016年国家社会科学基金西部项目“清代乾嘉时期的朴学与文学”(项目编号:16XZW002)的阶段性成果
【分类号】：J905
，
本文编号：2138126
[Abstract]:With the rise of local opera in Qianjia period, the debate of elegance and vulgarity became a hot issue in opera theory. Li Diaoyuan opposed the traditional concept of poetry and opera as the vulgar point of view that style has no elegance and vulgarity should measure the value of literature from the perspective of practical function. Opera is the art of performing. Li Tiao Yuan believes that opera language should adhere to the original style and oppose the elegance of excessive desk. At the same time, he also criticizes excessive vulgarization. In the choice of theme, Li Yaoyuan tends to the traditional Chinese opera of ethics, and opposes the creative tendency of teaching obscenity and disorderly spirit.
【作者单位】： 玉林师范学院文学与传媒学院;
【基金】：2016年国家社会科学基金西部项目“清代乾嘉时期的朴学与文学”(项目编号:16XZW002)的阶段性成果
【分类号】：J905
，
本文编号：2138126
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