何以兴盛：中国参与式影像十年发展研究（2003-2012）
发布时间：2018-07-22 20:32
【摘要】：本文的研究对象参与式影像(Participatory Video),是一种以影像为表达方式的社会介入方法,起源于1967年加拿大“福古岛”程式,其后被国际非政府组织广泛使用。参与式影像项目一般由非政府组织开展,协助社区成员使用影像纪录社区,并在拍摄过程中组织影像的本地放映,以激发社区讨论、形成社区共识,促进社区民众教育与社区运动。参与式影像在一定程度上说,由社区集体创作,这种方式具有赋权弱势群体、促进民众参与、引发社区交流、解决社区事务等作用,最终在社区内部形成力量推动社区发展。 中国改革开放以后,经济增长、贫富分化,社会冲突日益加剧。GDP的年年攀升之下,是普通民众面对主流媒体时的压抑与沉默。在新纪录运动中,国内独立纪录片人将目光转向了处于弱势的边缘群体,试图代替他们向社会发声,而这也不可避免地带来了精英式的思考。到了21世纪初,新纪录运动发生了变化,一部分纪录片人开始自我反思,试图将话语权交给群体本身,而DV的普及与相对低廉的价格,为这种尝试提供了可能；同时西南山地在20世纪末开始进行的环境与生物的多样性保护项目,在21世纪开始使用参与式影像,拉开了中国参与式影像发展的序幕。2003年首届云之南纪录电影展开幕,首次对参与式影像项目单独进行了讨论,为该影展日后对中国参与式影像发展的推动埋下了伏笔。 本文对参与式影像的国外发展轨迹进行整理,并探究中国参与式影像从21世纪初到2003年之间的发端迹象。文章选取了2003年为起点,以2012年为终点,对中国参与式影像2003-2012十年间的发展过程进行了梳理。通过资料的搜集与分析得出参与式影像的十年发展呈现出两个阶段：静无波澜的第一阶段(2003-2004)与主体渐显的第二阶段(2005-2012)。第一阶段以参与式影像项目为研究对象,探究它们所表现出来的价值。第二阶段中中国参与式影像主体逐步显露,通过对发展中形成的不同项目热点进行整理分析,勾勒出参与式影像的发展过程、热点与状况,并总结出它们基于本土环境所体现出来的特征。 文章基于对中国参与式影像十年发展的梳理,尝试探寻其发展的主要推动力。在发展的前期阶段,新技术的广泛普及中国独立纪录片的观念转变成为了主要原因与推动力量；在中后期的持续发展中,国内的民间力量与国外力量的支持起了不可或缺的作用；而促进参与式影像发展的更深层次的原因,则在于处于社会转型期的中国社会环境下,民众表达意识的觉醒形成了一股民间力量,这股发自底层的内部力量成为了中国参与式影像兴盛的深层原因。
[Abstract]:The object of this paper is participatory Video, a method of social intervention based on image expression. It originated from the "Fukuo Island" program of Canada in 1967 and has been widely used by international non-governmental organizations. Participatory imaging projects are generally carried out by non-governmental organizations to assist community members in using images to record the community and to organize local screenings of images during filming to stimulate community discussions and build community consensus. To promote community education and community movement. To a certain extent, participatory images are created by the community collectively, which has the functions of empowering the disadvantaged groups, promoting the participation of the people, causing community exchanges, solving community affairs, and finally forming a force to promote the development of the community within the community. After China's reform and opening up, the economic growth, the polarization between the rich and the poor, and the increasing social conflict. The GDP is rising year by year, which is the repression and silence of the ordinary people in the face of the mainstream media. In the new record movement, independent documentaries in China turned their attention to the marginalized groups in the weak position and tried to speak for them, which inevitably brought elitist thinking. At the beginning of the 21st century, the new record movement changed, some documentaries began to reflect on themselves, trying to give the right to speak to the group itself, but the popularity of DV and the relatively low price provided the possibility for this kind of attempt; At the same time, the environmental and biological diversity conservation project that began in the Southwest Mountain region at the end of the 20th century, began to use participatory images in the 21st century, opening the first Yunzhinan documentary Film Festival in 2003, which opened the prologue of China's participatory image development. The participatory image project was discussed separately for the first time, which laid the groundwork for the future development of participatory image in China. This paper deals with the foreign development of participatory images and explores the early signs of China's participatory images from the beginning of the 21st century to the year 2003. Taking 2003 as the starting point and 2012 as the end point, the paper combs the development process of China's participatory image from 2003 to 2012. Through the data collection and analysis, it is concluded that there are two stages in the 10-year development of participatory images: the first stage (2003-2004) and the second stage (2005-2012). In the first stage, the participatory image project is taken as the research object to explore their value. In the second stage, the main body of participatory image in China is revealed step by step. Through the arrangement and analysis of different project hotspots formed in the course of development, the development process, hot spot and status of participatory image are outlined. They are based on the characteristics of the local environment. Based on the ten-year development of China's participatory image, this paper tries to explore the main driving force of its development. In the early stage of development, the concept of extensive popularization of new technologies in China's independent documentaries has become the main cause and driving force; in the middle and later period of sustained development, The support of domestic and foreign forces has played an indispensable role, and the deeper reason for promoting participatory image development lies in the Chinese social environment in the period of social transition. The awakening of public expression consciousness has formed a force among the people, and this internal force from the bottom has become the deep reason for the prosperity of China's participatory image.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J952
本文编号：2138487
[Abstract]:The object of this paper is participatory Video, a method of social intervention based on image expression. It originated from the "Fukuo Island" program of Canada in 1967 and has been widely used by international non-governmental organizations. Participatory imaging projects are generally carried out by non-governmental organizations to assist community members in using images to record the community and to organize local screenings of images during filming to stimulate community discussions and build community consensus. To promote community education and community movement. To a certain extent, participatory images are created by the community collectively, which has the functions of empowering the disadvantaged groups, promoting the participation of the people, causing community exchanges, solving community affairs, and finally forming a force to promote the development of the community within the community. After China's reform and opening up, the economic growth, the polarization between the rich and the poor, and the increasing social conflict. The GDP is rising year by year, which is the repression and silence of the ordinary people in the face of the mainstream media. In the new record movement, independent documentaries in China turned their attention to the marginalized groups in the weak position and tried to speak for them, which inevitably brought elitist thinking. At the beginning of the 21st century, the new record movement changed, some documentaries began to reflect on themselves, trying to give the right to speak to the group itself, but the popularity of DV and the relatively low price provided the possibility for this kind of attempt; At the same time, the environmental and biological diversity conservation project that began in the Southwest Mountain region at the end of the 20th century, began to use participatory images in the 21st century, opening the first Yunzhinan documentary Film Festival in 2003, which opened the prologue of China's participatory image development. The participatory image project was discussed separately for the first time, which laid the groundwork for the future development of participatory image in China. This paper deals with the foreign development of participatory images and explores the early signs of China's participatory images from the beginning of the 21st century to the year 2003. Taking 2003 as the starting point and 2012 as the end point, the paper combs the development process of China's participatory image from 2003 to 2012. Through the data collection and analysis, it is concluded that there are two stages in the 10-year development of participatory images: the first stage (2003-2004) and the second stage (2005-2012). In the first stage, the participatory image project is taken as the research object to explore their value. In the second stage, the main body of participatory image in China is revealed step by step. Through the arrangement and analysis of different project hotspots formed in the course of development, the development process, hot spot and status of participatory image are outlined. They are based on the characteristics of the local environment. Based on the ten-year development of China's participatory image, this paper tries to explore the main driving force of its development. In the early stage of development, the concept of extensive popularization of new technologies in China's independent documentaries has become the main cause and driving force; in the middle and later period of sustained development, The support of domestic and foreign forces has played an indispensable role, and the deeper reason for promoting participatory image development lies in the Chinese social environment in the period of social transition. The awakening of public expression consciousness has formed a force among the people, and this internal force from the bottom has become the deep reason for the prosperity of China's participatory image.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J952
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