中国自然类纪录片叙事方式转变及叙事策略研究
[Abstract]:As an important window for human beings to understand nature, nature documentary is an indispensable kind of documentary. The nature documentaries of our country begin from nothing, from introduction to self-making, from independent and small cost production to international joint production. Since the new century, the Chinese natural documentary narrative mode has changed obviously, which also indicates that our natural documentary will constantly adjust its narrative strategy with the development of science and technology and the times, and keep up with the pace of the times. In the new media environment, with the continuous development of science and technology, new media technology changes with each passing day, excellent natural documentaries in Europe and the United States emerge in endlessly, coupled with the continued intensification of the process of globalization, the horizon of the Chinese audience is constantly broadened. This also requires the further development of our natural documentary, forming a new outlook with its own characteristics and international competitiveness. This article first combs the domestic and foreign natural documentary development vein, through the movie and television text analysis, elaborated the domestic documentary narrative way transformation, analyzes its transformation motive, This paper expounds the performance of Chinese natural documentaries after the change of narrative mode, and analyzes the opportunities, challenges and new changes that Chinese natural documentaries face in the new media era, based on the analysis of typical samples. Finally, this paper points out the misunderstanding and deficiency of the development at present, and gives the corresponding and feasible strategies in order to promote the development of Chinese natural documentaries.
【学位授予单位】:广州大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J952
【参考文献】
相关期刊论文 前10条
1 刘征军;;新媒体语境下纪录片叙事策略研究[J];今传媒;2016年12期
2 书漫;;野生动物纪录片诞生记[J];小哥白尼(野生动物画报);2014年07期
3 聂欣如;何梦云;;2013年度中国纪录片理论研究综述[J];中国电视;2014年04期
4 王蒙;;自然类纪录片发展中存在的问题及对策探析[J];新西部(理论版);2013年Z2期
5 万彬彬;;野生动物纪录片类型的发展与流变初探[J];电影评介;2013年02期
6 毕蕾;景秀明;;强权规训与意识去弊——纪录片《海豚湾》的叙事学分析[J];电影评介;2011年21期
7 王春雨;;浅谈纪录片的营销策略[J];新闻传播;2011年07期
8 柴焰;郑鑫;;纪录片《海豚湾》叙事技巧探析[J];电影文学;2011年05期
9 岳英杰;;中国纪录片发展历程探析[J];青年记者;2010年26期
10 杨晔;Getty;;动物当主角 野生动物纪录片是怎样拍摄的[J];森林与人类;2009年10期
相关重要报纸文章 前1条
1 田梅;徐宁;;一段震撼人类心灵的赎罪之旅[N];新华日报;2010年
相关硕士学位论文 前8条
1 姬粉粉;浅析新媒体时代纪录片叙事策略[D];河北大学;2016年
2 刘巧玲;中西自然类纪录片创作与文化差异研究[D];华中农业大学;2014年
3 廖文志;新媒体语境下纪录片的叙事策略研究[D];上海师范大学;2013年
4 王信博;“探索频道”的叙事策略研究[D];东北师范大学;2012年
5 杨英蕾;自然类纪录片叙事探析[D];上海交通大学;2010年
6 唐诗扬;中国生态纪录片艺术特征及创作特点分析[D];东北师范大学;2010年
7 孟祥燕;大众文化语境下纪录片叙事风格的转型[D];东北师范大学;2010年
8 甘霖;从叙事学角度对纪录片的若干讨论[D];暨南大学;2006年
,本文编号:2138710
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2138710.html